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"We've been listening to Wagner, which is so great."
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"You can have the perfect message, but it may fall on deaf ears when the listener is not prepared or open to listening.These listening "planes" were first introduced by the American composer Aaron Copland (1900-1990) as they pertain to music . . . 1. The Sensual Plane: You're aware of the music, but not engaged enough to have an opinion or judge it.2. The Expressive Plane: You become more engaged by paying attention, finding meaning beyond the music, and noticing how it makes you feel.3. The Musical Plane: You listen to the music with complete presence, noticing the musical elements of melody, harmony, pitch, tempo, rhythm, and form."
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Personal Development
"During a conversation, listening is as powerful as loving."
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Personal Development
"Learn to listen, not just hear. Listening is an art."
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Personal Development
"When we want to talk, we can instead listen, and let our attentiveness to another's need to speak be our silent statement."
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Personal Development
"How do you know when to advance the conversation or when there's something still unresolved? When you are situationally aware, you watch the body language and notice the cues that are given to you. Listening and observing are being mindful in the best sense of the word."
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Personal Development
"Vasudeva listened with great attention. Listening carefully, he leteverything enter his mind, birthplace and childhood, all that learning,all that searching, all joy, all distress. This was among theferryman's virtues one of the greatest: like only a few, he knew howto listen. Without him having spoken a word, the speaker sensed howVasudeva let his words enter his mind, quiet, open, waiting, how hedid not lose a single one, awaited not a single one with impatience,did not add his praise or rebuke, was just listening. Siddhartha felt,what a happy fortune it is, to confess to such a listener, to burry inhis heart his own life, his own search, his own suffering."
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Personal Development
"To Become an Attentive Listener . . . Observe a person's physical presence to see how their body language aligns with their message. Recognize what is being said on the surface. Engage your intuition to hear the meaning, purpose, and motivation behind their message. Be aware of your own internal responses and how you are feeling. Put yourself in their shoes to better understand their perspective."
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Personal Development
"A fool tries to shut others' mouth instead of listens to his own heart."
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Personal Development
"It is a tremendous gift to simply and truly listen to another."
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Personal Development
"My playing started to develop through the Miles Davis stuff I was listening to."
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"The first big lead that I had on Broadway was in a show called La Strada."
First
"When something isn't done, you want to do something about it."
Want
"Into The Woods was... a lot of running around in the woods! I can't wait to see the show again. People didn't realize it back then, but kids still come up to me-young people-and they talk about it. It really made its mark."
People
"The first Broadway show I ever heard was the recording of Carousel, and it was a very vivid experience."
Experience
"I love pasta with the homemade marinara sauce I had as a kid."
Love
"It Might As Well Be Spring... I used to sing that as a young girl in my voice lessons. Then I picked it up again and it spoke to me in a whole new way."
Spring
"The challenge of film is making it right there at that moment, and then you get to move on."
Challenge
"Stephen Sondheim told me that Oscar Hammerstein believed everything that he wrote. So there's great truth in the songs, and that's what was so wonderful to find."
Truth
"I know Mama Rose is a great role and I love having a chance to do it."
Love
"You'd look out and there'd be little babies watching the show, and boys and girls. They loved the cowboys, and they loved Annie. There were young people seeing the show for the first time. I stayed for two years because I enjoyed it so much."
Time
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