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"The course hitherto pursued in musical aesthetics has nearly always been hampered by the false assumption that the object was not so much to inquire into what is beautiful in music as to describe the feelings which music awakens."
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"I think I first realized I wanted to be in country music and be an artist when I was 10. And I started dragging my parents to festivals, and fairs, and karaoke contests, and I did that for about a year before I came to Nashville for the first time. I was 11 and I had this demo CD of me singing Dixie Chicks and Leanne Rimes songs."

"Music when healthy, is the teacher of perfect order, and when depraved, the teacher of perfect disorder."

"A friend of mine, that I had known for some time, came up one day with an old guitar. I don't know where he got it, I don't know how long he'd had it, but he knew about two chords on it. He proceeded to teach them to me, and then we proceeded to go crazy over music."

"I want to do a musical movie. Like Evita, but with good music."

"I am pretty detached from the local music crowd though."

"By reading the scriptures I am so renewed that all nature seems renewed around me and with me. The sky seems to be a pure, a cooler blue, the trees a deeper green. The whole world is charged with the glory of God and I feel fire and music under my feet."

"I think a song that's got something to say. I'm not much on gimmicks. I never have been because they don't last. But I like a song that tells a story and has some meat to it, you know, that means something."
Explore more quotes by Eduard Hanslick

"Grant that the true organ with which the beautiful is apprehended is the imagination, and it follows that all arts are likely to affect the feelings indirectly."

"Music has no subject beyond the combinations of notes we hear, for music speaks not only by means of sounds, it speaks nothing but sound."

"An art aims, above all, at producing something beautiful which affects not our feelings but the organ of pure contemplation, our imagination."

"The course hitherto pursued in musical aesthetics has nearly always been hampered by the false assumption that the object was not so much to inquire into what is beautiful in music as to describe the feelings which music awakens."
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