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"You have to really be courageous about your instincts and your ideas. Otherwise you'll just knuckle under, and things that might have been memorable will be lost."
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"For me poetry is an evasion of the real job of writing prose."

"A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness."

"At eight, he had once told his mother that he wanted to paint air."

"I have spent a good many years since-too many, I think-being ashamed about what I write. I think I was forty before I realized that almost every writer of fiction or poetry who has ever published a line has been accused by someone of wasting his or her God-given talent. If you write (or paint or dance or sculpt or sing, I suppose), someone will try to make you feel lousy about it, that's all."

"He kept seeing the brains dribbling down the wallpaper. It wasn't the killing that stayed on his mind, it was the spilled talent. A lifetime of honing and shaping torn apart in less than a second. All those stories, all those images, and what came out looked like so much oatmeal. What was the point?"

"When you aren't satisfied with what has already been done, make something better. That is the greatest responsibility and the true freedom of creativity. The freedom is in that it doesn't need to complain."

"Fresh, solid ideas feel like gifts to writers, therefore every morning is Christmas."

"We write to shed our sorrows and give strength to our spirit."

"My pen beats faster as I write with my heart."

"But without a reader, a story is only half complete. It's like blueprints that never get built; like a swimming pool without water. The foundation's there, but it's useless. Without a reader, the words just sit on the page, waiting to come alive in someone's imagination."
Explore more quotes by Francis Ford Coppola

"I had a heartbreaking experience when I was 9. I always wanted to be a guard. The most wonderful girl in the world was a guard. When I got polio and then went back to school, they made me a guard. A teacher took away my guard button."

"Roger Corman exploited all of the young people who worked for him, but he really gave you responsibility and opportunity. So it was kind of a fair deal."

"The stuff that I got in trouble for, the casting for The Godfather or the flag scene in Patton, was the stuff that was remembered, and was considered the good work."

"Ten Days That Shook The World, by Eisenstein, I went to see it, and I was so impressed with this film, so impressed with what cinema could do."

"You ought to love what you're doing because, especially in a movie, over time you really will start to hate it."

"When I was about 9, I had polio, and people were very frightened for their children, so you tended to be isolated. I was paralyzed for a while, so I watched television."

"Frank Capra was a prop man, I think. John Ford was a prop man. It was a little bit of a father and son thing, and you kind of worked your way up."

"I think cinema, movies, and magic have always been closely associated. The very earliest people who made film were magicians."
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