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Mako

"I go into a young film director's office these days and he says, 'Hey man, I know who you are. I grew up watching 'McHale's Navy'. And I think, 'Oh boy, here we go again'."

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"I go into a young film director's office these days and he says, 'Hey man, I know who you are. I grew up watching 'McHale's Navy'. And I think, 'Oh boy, here we go again'."

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"Working on such a big film was amazing. I learned a lot. There weren't too many stunts, just some doubling."

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"When you direct your first film, you always start by telling stories that you are familiar with."

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Amber Hurdle

"How would you like to find out how good my right is?"

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Amber Hurdle

"It was an interesting process trying to get Bob to talk about the film because he's such a shy person. He generally likes to talk when he really knows he has something to say."

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Amber Hurdle

"But I always reassure them that as far as my contractual rights can go, I will protect them and make sure that they have approval over every bit of it so that they know I won't show something that's embarrassing."

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Amber Hurdle

"I'm not interesting enough on my own that you'd want to see a film about me."

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Amber Hurdle

"The existing documentary makers still believe that it is impossible to produce drama material in this State, otherwise they would be doing it, they say."

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Amber Hurdle

"I've just been very, very lucky with the film having been introduced in the right way."

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Amber Hurdle

"You wouldn't ask Rodin to make an ugly sculpture, or me to make a film with an ugly woman."

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Mako
"I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called "A Banquet for the Moon." It was a weird play."
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Mako
"I go into a young film director's office these days and he says, 'Hey man, I know who you are. I grew up watching 'McHale's Navy'. And I think, 'Oh boy, here we go again'."
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Mako
"No matter what happens, we couldn't let people say Asian-American actors can't act."
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Mako
"Of course we've been fighting against stereotypes from Day One at East West. That's the reason we formed: to combat that, and to show we are capable of more than just fulfilling the stereotypes - waiter, laundryman, gardener, martial artist, villain."
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Mako
"I had no idea how difficult Sondheim's music would be. All through the rehearsals, I kept flubbing. There were so many tempo changes. I could never get through the opening number without any mistakes. One day, I went up to Hal Prince and offered to leave the show. He laughed it off. He said, "Don't be silly. That's why we have tryouts.""
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Mako
"I was a very happy child, so to speak. But, since we didn't have video games or television, and very little radio, in terms of a form of entertainment, I used to read a lot and I would draw a lot, and those two things used to occupy my time."
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