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"It's just so fragile. The growing sense of 'Oh, God, what am I doing? Am I any good? Will I ever work again?' All those questions of self doubt, they do creep in."
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"We try, when we wake, to lay the new day at God's feet; before we have finished shaving, it becomes our day and God's share in it is felt as a tribute which we must pay out of 'our own' pocket, a deduction from the time which ought, we feel, to be 'our own'. A man starts a new job with a sense of vocation and, perhaps, for the first week still keeps the discharge of the vocation as his end, taking the pleasures and pains from God's hand, as they came, as 'accidents'. But in the second week he is beginning to 'know the ropes': by the third, he has quarried out of the total job his own plan for himself within that job, and when he can pursue this he feels that he is getting no more than his rights, and when he cannot, that he is being interfered."
"The Lord had given them the day and the Lord had given them the strength. And the day and the strength had been dedicated to labor, and the labor was its reward. Who was the labor for? What would be its fruits? These were irrelevant and idle questions."
"If I went to work in a factory the first thing I'd do is join a union."
"Employment stereotypes you."
"The work I did in Vertigo meant nothing if no one cared about the movie. Luckily, Vertigo had a revival and people had begun to recognize there was something special and it gained in reputation. But it just as well could have ended up rotting in film cans somewhere."
Explore more quotes by Jacqueline McKenzie
"That's a curious paradox that I don't think a lot of people out there know; that you get really scared before you go on. You come out in a nervous rash, and it's not like you actually love getting up there and showing off."
"It was hysterical going to work. I would just walk in and think, 'What in hell? Am I here? What's going on? I'm going to wake up in a minute. I'm in a dream.'"
"I was spooked when I first got the role, as I was afraid I wouldn't have the companionship I need on a shoot, because I'm so into the process itself, not so much the end product."
"Everybody is just at the start of this huge process of trying to unravel what's going on with the 4,400, where they've been and why they're back and what they're trying to do with us in the present. And we're trying to work out what messages they're sending us."
"And the reason for that I think is that in Australia our films don't get the exposure, so the process is foremost. But anyway, I love being part of the team and hate being stuck in a corner somewhere."
"It's just so fragile. The growing sense of 'Oh, God, what am I doing? Am I any good? Will I ever work again?' All those questions of self doubt, they do creep in."
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