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John Hench

"But Walt and him shared the same kind of optimism. Walt believed in himself, and he was optimistic about what he wanted to do. He just knew it will be okay, and Dali was the same way. They had a great deal in common that way."

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"But Walt and him shared the same kind of optimism. Walt believed in himself, and he was optimistic about what he wanted to do. He just knew it will be okay, and Dali was the same way. They had a great deal in common that way."

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Assegid Habtewold

"Daring life, optimistic living."

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Personal Development

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Assegid Habtewold

"Laugh and make the best of every situation. Understand that life is not perfect."

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Personal Development

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Assegid Habtewold

"Dancing in the rain is better than despairing in the storm."

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Personal Development

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Assegid Habtewold

"Act as though everything will be perfectly fine - because it will. Life has you and it's not letting you go."

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Personal Development

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Assegid Habtewold

"Seeing the mud around a lotus is pessimism, seeing a lotus in the mud is optimism."

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Personal Development

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Assegid Habtewold

"Always believe that life is amazing."

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Personal Development

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Assegid Habtewold

"Life ahead holds much more opportunities."

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Personal Development

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Assegid Habtewold

"In all pleasure hope is a considerable part."

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Personal Development

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Assegid Habtewold

"Mix a little time with some space, and suddenly good things fall right into place. No worries, don't doubt it - just build!"

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Personal Development

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Assegid Habtewold

"When you dream with optimism and trust, it becomes a reality fast."

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John Hench
"The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'"

Colors

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John Hench
"Nobody now is going from department to another department. Only Walt did that. I was very fond of him, really."

Now

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John Hench
"Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure. I had great satisfaction in doing that."

Colors

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John Hench
"I don't think that was too successful. Because I always thought that the two of them should have been more separate. Also I had planned the monorail station to be in the center. So that one day you would have go to World Showcase and then the other day to Future World."

Thought

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John Hench
"Big cities are chaotic. And chaos for humans - who have experience from their ancestors - is the last step before conflict. So, in the park, every kind of visual contradiction has been eliminated."

Experience

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John Hench
"I suppose that I was a kind of consultant for taste. Is it good taste? Or bad taste? I had an attention to detail, to what would tell best the story. Because many people get excited about the work and drift off from the story."

Work

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John Hench
"We've achieved this feeling, for instance, with the colors. The colors in the park are harmonious with each other, not like in big cities where they don't."

Art

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John Hench
"I have wanted to be a fine artist painter, and I reached the point in art schools were I'd like to understand more about images and how images communicate information to people. And I was not getting very far in that from my professors."

Art

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John Hench
"Walt put everything he knew about communication with images into the park, so it was very familiar."

Communication

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John Hench
"We don't have too much ritual in our life anymore. And these life symbols which people rely on to keep their feeling of well being, that life is not too bad after all are required more and more."

Life

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