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"That's kind of like how jazz is sometimes. You're out there predicting the future, and no one believes you."
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"The most tragic thing about the future is that it may not come into being!"

"The future came and went in the mildly discouraging way that futures do."

"In the future, torture will once again become the recreational sport of the rich."

"When your dream comes true, have another one! Your dream-box must never remain empty!"

"Simeon had to agree that his future plans, although quite grand, were like pictures painted in fog. Nothing he could put his finger on. No dream ever remained unchanged long enough to take on any weight or substance, just a notion of something better waiting for him somewhere in the future."

"As we become the distant past, you become a future few of us would have imagined."

"Since the future is unknown, no path can take you to the known!"
Explore more quotes by Branford Marsalis

"I like to make records sound good. I'm more like a reducer than a producer. If an artist cannot produce themselves, what's the point?"

"What is jazz? It, It's almost like asking, What is French? Jazz is a musical language. It's a musical dialect that actually embodies the spirit of America."

"It's something that jazz has gotten away from, and it's unfortunate. Players aren't physical anymore."

"I suspect that we might actually start selling some records with these artists in about 10 years. Some the people who invested, they're a little tight-because it's a lot of money to start up a company."

"Jazz fans love Miles and I love him for a myriad of reasons, but the overviews are always too simplistic."

"The piano is the X factor. People have a tough time following the structures when there's no piano there, spelling it out. It makes it more easily understood, particularly to people who don't know as much about music."

"It's hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there's no buzz, there's no interest."

"The lion's share of what I hear right now are people who, intentional or accidental, have avoided all jazz prior to 1960. And all the musicians who were successful in the '60s spent their entire lives, prior to 1960, listening to all the musicians these people avoid."

"Humans are imperfect. That's one of the reasons that classical and jazz are in trouble. We're on the quest for the perfect performance and every note has to be right. Man, every note is not right in life."
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