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"If every second of our lives recurs an infinite number of times, we are nailed to eternity as Jesus was nailed to the cross. It is a terrifying prospect."
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"I saw this moment as attached by threads to eternity and woven between all the other braided moments of my past and my future."
"I will burn, but this is a mere event. We shall continue our discussion in eternity."
"I have thought the difference might be that my Mary knows she will live forever, that she will step from the living into another life as easily as she slips from sleep to wakefulness. She knows this with her whole body, so completely that she does not think of it any more than she thinks to breathe. Thus she has time to sleep, time to rest, time to cease to exist for a little."
"Rest, rest, shall I have not all eternity to rest."
"We're always thinking of eternity as an idea that cannot be understood, something immense. But why must it be? What if, instead of all this, you suddenly find just a little room there, something like a village bath-house, grimy, and spiders in every corner, and that's all eternity is. Sometimes, you know, I can't help feeling that that's what it is."
"I do not want to have the feeling of writing "for eternity," so to speak."
"How can we afford to live in the world in which one has to die [one day]? We are eternal."
Explore more quotes by Milan Kundera
"Damn! What did Ansermet, that most faithful friend, know about Stravinsky's poverty of heart? What did he, that most devoted friend, know about Stravinsky's capacity to love? And where did he get his utter certainty that the heart is ethically superior to the brain? Are not vile acts committed as often with the heart's help as without it? Can't fanatics, with their bloody hands, boast of a high degree of "affective activity"? Will we ever be done with this imbecile sentimental Inquisition, the heart's Reign of Terror?"
"Tereza knew what happens during the moment love is born: the woman cannot resist the voice calling forth her terrified soul, the man cannot resist the woman whose soul thus responds to his voice."
"The novel's spirit is the spirit of complexity. . . . The novel's spirit is the spirity of continuity . . . a thing made to last, to connect the past with the future."
"All the same, a seductive voice from afar kept breaking into her conjugal peace: it was the voice of solitude. She closed her eyes and listened to the sound of a hunting horn coming from the depths of distant forests. There were paths in those forests."
"It was futile to attack with reason the stout wall of irrational feelings that, as is known, is the stuff of which the female mind is made."
"Given the nature of the human couple, the love of a man and a woman is a priori inferior to that which can exist (at least in the best instances) in the love between man and dog...It is a completely selfless love."
"People are always shouting they want to create a better future. It's not true. The future is an apathetic void of no interest to anyone. The past is full of life, eager to irritate us, provoke and insult us, tempt us to destroy or repaint it. The only reason people want to be masters of the future is to change the past."
"Without much ardor but quite unmistakably, she was writhing her hips as if she were dancing. When he was very close, he saw' her gaping mouth: she was yawning lengthily, insatiably: the great open hole was rocking gently atop die mechanically dancing body. Jean-Marc thought: she's dancing and she's bored.He reached the seawall: down below, on the beach, he saw men with their heads thrown back releasing kites into the air. They were doing it with passion, and Jean-Marc recalled his old theory: there are three kinds of boredom: passive boredom: the girl dancing and yawning; active boredom: kite-lovers; and rebellious boredom: young people burning cars and smashing shop windows."
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