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"Beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there."
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"The eye is the jewel of the body."

"The subject may be crude and repulsive. Its expression is artistically modulated and balanced. This is style. This is art. This is the only thing that really matters in books."

"Purposefully look for something beautiful today."

"There is something majestic in the bad taste of Italy."

"There stood a young man who had the figure of a Greek athlete and the face of an English one...Just where he began to be beautiful the clothes started."

"Beauty is the virtue of the body as virtue is the beauty of the soul."

"Art must always stand guard against stirring emotions that lie outside the aesthetic: sexual arousal, terror, disgust, shock."

"And as for Owen Warland, he looked placidly at what seemed the ruin of his life's labor, and which was yet no ruin. He had caught a far other butterfly than this. When the artist rose high enough to achieve the beautiful, the symbol by which he made it perceptible to mortal senses became of little value in his eyes while his spirit possessed itself in the enjoyment of the reality."

"Beauty lies in the eye."
Explore more quotes by Annie Dillard


"The world is fairly studded and strewn with pennies cast broadside by a generous hand. But- and this is the point- who gets excited by a mere penny? But if you cultivate a healthy poverty and simplicity, so that finding a penny will literally make your day, then, since the world is in fact planted in pennies, you have with your poverty bought a lifetime of days."


"Books swept me away, this way and that, one after the other; I made endless vows according to their lights for I believed them."


"There is a certain age at which a child looks at you in all earnestness and delivers a long, pleased speech in all the true inflections of spoken English, but with not one recognizable syllable."


"When we lose our innocence - when we start feeling the weight of the atmosphere and learn that there's death in the pot - we take leave of our sense."


"Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed? Can the writer isolate and vivify all in experience that most deeply engages our intellects and our heats? Can the writer renew our hope for literary forms? Why are we reading if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage, and the possibility of meaningfulness, and will press upon our minds the deepest mysteries, so we may feel again their majesty and power?"


"I set up and staged hundreds of ends-of-the-world and watched, enthralled, as they played themselves out."


"The writing that so thrills and exhilarates you, as if you were dancing right next to the band, is barely audible to anyone else."


"I alternate between thinking of the planet as home - dear and familiar stone hearth and garden - and as a hard land of exile in which we are all sojourners."
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