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Sara Sheridan

"Afternoon drinkers shifted in the gloom as if they sensed new blood."

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"Afternoon drinkers shifted in the gloom as if they sensed new blood."

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Charlotte Eriksson

"She gave him a strange maternal grin.For the first time, clearly, the thought surfaced in Paul Sheldon's mind: I am introuble here. This woman is not right."

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Charlotte Eriksson

"Corrigan crept up to the bar, cautiously moving around it. It looked like he was copying all the moves he'd seen in old cop movies and westerns, and doing it rather badly. He lowered the pistol. There was no one behind the bar. There was however, an open trapdoor. And that would mean the bounty hunter was - ."Don't move! Came Beck's distant, slightly muffled, barked order. "My turn, I think!"

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Charlotte Eriksson

"Mr. Satterthwaite looked cheered. Suddenly an idea struck him. His jaw fell. "My goodness," he cried, "I've only just realized it! That rascal, with his poisoned cocktail! Anyone might have drunk it! It might have been me!""There is an even more terrible possibility that you have not considered," said Poirot. "Eh?""It might have been me," said Hercule Poirot."

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Charlotte Eriksson

"What were you thinking?" I demanded once we were moving to the music. I was trying to ignore his hands. "Do you know how much trouble you may have gotten me in?"Adrian grinned. "Nah. They all feel bad for you. You'll achieve martyrdom after dancing with a mean, wicked vampire. Job security with the Alchemists."

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Charlotte Eriksson

"Afternoon drinkers shifted in the gloom as if they sensed new blood."

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Charlotte Eriksson

"But if you caught my informant,' said Achilles, 'why in the world would Chamrajnagar-or Graff, if it was him-launch the shuttle anyway? Was catching me doing something naughty so important they'd risk a shuttle and it's crew just to catch me? I find that quite flattering. Sort of like winning the Nobel Prize for scariest villain."

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Charlotte Eriksson

"I think suspense is a big thing."

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Charlotte Eriksson

"A rap at the back door made her jump, and she peered through the window for a long time before she eased open the door a crack. She left the security chain on. 'What do you want, Richard?'Richard Morrell's police cruiser was parked in the drive. He hadn't flashed any lights or howled any sirens, so she supposed it wasn't an emergency, exactly. But she knew him well enough to know he didn't pay social visits, at least not to the Glass House.'Good question,' Richard said. 'I guess I want a nice girl who can cook, likes action movies, and looks good in short skirts. But I'll settle for you taking the chain off the door and letting me in."

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Sara Sheridan
"It often horrified the English community that she spent her time with local farmers and horse traders, eccentrics and mystics, but she valued expertise over convention and had long believed if you were going to make discoveries in the world you must first quit your Englishness and open your eyes."
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Sara Sheridan
"Everyone assumes writers spend their time lounging around, writing and occasionally striking a pose whilst having a think."
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Sara Sheridan
"Most people do a good deal of whatever they do motivated by love. For me, few stories are truly complete without it."
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Sara Sheridan
"They march into the future to the rhythm of the past."
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Sara Sheridan
"You can't trust anyone you have to pay, and really, they can't trust you."
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Sara Sheridan
"An eerie atmosphere leeched from the soot-damaged walls. It was as if the house had died, and yet she felt she belonged here. It was as if the old place wanted to claim her from the grave."
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Sara Sheridan
"Once you're on the pleasure express, it's hard to get off and switch to another, slower service."
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Sara Sheridan
"Archive material is a fabulous starting point - individual documents are like signposted roads, heading to a variety of intriguing possibilities."
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Sara Sheridan
"Writing about the 1950s has given me tremendous respect for my mother's generation."
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Sara Sheridan
"I am a storyteller, not a historian, and it's my ambition to create something compelling - something unputdownable and riveting - that chimes with the real history but is, in fact, fiction."
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