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"I have to struggle to change people's perceptions of me. I grew very frustrated with the perception that I'm this shy, retiring, inhibited aristocratic creature when I'm absolutely not like that at all. I think I'm much more outgoing and exuberant than my image."
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"Change isn't always for the worst; the shell that forms around a piece of sand looks to some people like an irritation, and to others, like a pearl."

"All it takes is a second and your whole life can get turned upside down."

"Make a change of your steps when necessary. "Status quo" is the court room where change is kept on trial for long, delaying the verdict. Make a change and achieve your dreams. Rule your case with victory."

"An exceptional future can only be built on the transformation of the mess I've made, not the elimination of it."

"Tradition is the code that keeps change in lock. If you refuse change, you are likely to rust and guess the cause; that long held way of doing things."

"The reason authors almost always put a dedication on a book is, because their selfishness even horrifies themselves in the end."

"I hate the assumption that you can't write about something because you haven't experienced it, and not just because it assumes a limit on the human imagination, which is basically limitless. It also suggests that some leaps of identification are impossible. I refuse to accept that, because it leads to the conclusion that real change is beyond us, and so is empathy."

"In with the new, out with the old.' That's what we're told. We have to change, adapt, compromise."
Explore more quotes by Helena Bonham Carter

"I also get fed up with the fact that casting agents and directors have this impression of me as being frail and petite. I find it very patronizing. I'm quite beefy and strong. I was a gymnast in school and I have lots of muscles."

"Usually I'm frustrated when I look at my films and I don't believe that I've made a real transformation beyond my usual sets of gestures and expressions. I still have this nagging feeling that it's me, that I didn't create a unique character."

"You become very angry and depressed that you keep getting offered only these exceedingly demure and repressed roles. They're so not me. That's why films like Fight Club were so important to me because I think I confounded certain stereotypes and limited perceptions of what I could do as an actress."

"No matter how many modern parts I do, people still refer to me as Mrs. Costume Drama. Fight Club is a studio pic, and I've done very few of those. I've got a feeling it's going to change things for me."

"It took me so many years to move out. I'm definitely a bit of a Peter Pan, reluctant to grow up. It all seemed really nice at home-why change it? Part of me would prefer not to have any responsibility whatsoever."

"You learn to rely on a few basic movements and use your voice to the greatest extent possible to convey your emotions. So there was a technical challenge there and a responsibility to create a character from behind the mask."

"What I loved about playing the corpse is that obviously somebody else got to do the physical part. It appeals to the part of me that likes playing character parts and getting the chance to get away from my own physicality."

"I think I've still got a bit of a sado-masochistic streak in me, because if I'm not going to be restricted by corsets and covered in lace, then I still wind up wearing an ape-mask over my face. I do wonder how I get myself in these situations!"

"I was like one of those nauseatingly nice children. I was very, very well behaved and boring."
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