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Ornette Coleman

"That's what I was trying to say when we were talking about sound. I think that every person, whether they play music or don't play music, has a sound - their own sound, that thing that you're talking about."

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"That's what I was trying to say when we were talking about sound. I think that every person, whether they play music or don't play music, has a sound - their own sound, that thing that you're talking about."

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Amber Hurdle

"People today are still living off the table scraps of the sixties. They are still being passed around - the music and the ideas."

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Amber Hurdle

"This land is your land and this land is my land, sure, but the world is run by those that never listen to music anyway."

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Amber Hurdle

"88% of what we call good songs aren't really good. They merely remind us of a good time we once had."

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Amber Hurdle

"Strains of music spring up, crystallizing in the night air like rain turning suddenly to snow, drifting to earth."

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Amber Hurdle

"And of course there's so much music in and around our family. I had a piano during Christmas because it's obviously useful through the season. There are so many people, songwriters, who are around."

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Amber Hurdle

"I knew the words to 25 rock songs, so I got in the group. Long Tall Sally and Tutti-Frutti, that got me in. That was my audition."

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Amber Hurdle

"Nothing pleases me more than to go into a room and come out with a piece of music."

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Amber Hurdle

"It was Elvis who really got me hooked on beat music. When I heard "Heartbreak Hotel" I thought, this is it."

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Amber Hurdle

"I had this song called Helter Skelter, which is just a ridiculous song. So we did it like that, 'cuz I like noise."

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Amber Hurdle

"A song is the most intangible thing in the world."

Explore more quotes by Ornette Coleman

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Ornette Coleman
"No one has to learn to spell to talk, right? You see a little kid holding a conversation with an adult. He probably doesn't know the words he's saying, but he knows where to fit them to make what he's thinking logical to what you're saying."
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Ornette Coleman
"Actually, when I was in elementary school, I saw a saxophone. A band came to my school, and I saw this guy get up and play this solo. And I said, 'Oh man, what is that! That must be fantastic!'"
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Ornette Coleman
"You don't have to worry about being a number one, number two, or number three. Numbers don't have anything to do with placement. Numbers only have something to do with repetition."
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Ornette Coleman
"I decided, if I'm going to be poor and black and all, the least thing I'm going to do is to try and find out who I am. I created everything about me."
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Ornette Coleman
"If you decide you want to be treated good, and you treat someone else good, or you want to learn something, it's information. It's getting the right, good information."
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Ornette Coleman
"It just makes that person feel that what his work is is going to be more valid. But who wants to see a guy standing in front, looking like a bum, doing something that a bums don't do? This don't make sense."
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Ornette Coleman
"I think that those elements - light and sound - are beyond democratic. They're into the creative part of life."
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Ornette Coleman
"So, for instance, if you came to me, I'd ask,'Do you want to write? Do you want to improvise? Why do you want to play this instrument? What do you want to do?'"
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Ornette Coleman
"It's just someone has labelled us as having a different label to do what you do. I find that labels are the worst thing in the world for artistic expression."
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Ornette Coleman
"After I left Texas and went to California, I had a hard time getting anyone to play anything that I was writing, so I had to end up playing them myself. And that's how I ended up just being a saxophone player."
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