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"This was a great magic. Festin had no more performed it than has any man who in exile or danger longs for the earth and waters of his home, seeing and yearning over the doorsill of his house, the table where he has eaten, the branches outside the window of the room where he has slept. Only in dreams do any but the great Mages realize this magic of going home."
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"My son will not allow any fires tonight," Gaea said from the depths of the warehouse. "He is the void that consumes all magic, the cold that consumes all fire, the silence that consumes all speech."Leo wanted to shout: "And I'm the dude that's all out of here!"
"Performing magic in the live show thrills me. Just get me a deck of cards and some attentive audience, and I have made my day and theirs too."
"But magic must hurry on, and the lovers remain..."
"We always underestimated our own participation in magic. That is, we thought of magic as something that existed with or without us. But that's not true. Things are not magical because they've been conjured for us by some outside force. They are magical because we create them, and then deem them so. Ryan and Avery will say the first moment they spoke, the first moment they danced, was magical. But they were the ones-no one else, nothing else-who gave it the magic. We know. We were there. Ryan opened himself to it. Avery opened himself to it. And the act of opening was all they needed. That is the magic."
"Yet magic is no more the art of employing consciously invisible means to produce visible effects. Will, love, and imagination are magic powers that everyone possesses; and whoever knows how to develop them to their fullest extent is a magician. Magic has but one dogma, namely, that the seen is the measure of the unseen."
"I'm shorter, I don't have as many freckles as Ron, and I can't do magic."
"Red was ruby, green was fluorescent, yellow was simply incandescent. Color was life. Color was everything.Color, you see, was the universal sign of magic."
"Being the Magician isn't about being powerful when you have things and useless when you don't," Persephone said."The Magician sees what is out there and finds connections. The Magician can make anything magical."
Explore more quotes by Ursula K. Le Guin
"As great scientists have said and as all children know, it is above all by the imagination that we achieve perception, and compassion, and hope."
"The children of the revolution are always ungrateful, and the revolution must be grateful that it is so."
"Critics and academics have been trying for forty years to bury the greatest work of imaginative fiction in English. They ignore it, they condescend to it, they stand in large groups with their backs to it - because they're afraid of it. They're afraid of dragons. They have Smaugophobia. "Oh those awful Orcs," they bleat, flocking after Edmund Wilson. They know if they acknowledge Tolkien they'll have to admit that fantasy can be literature, and that therefore they'll have to redefine what literature is. And they're too damned lazy to do it."
"Hardly anybody ever writes anything nice about introverts. Extroverts rule. This is rather odd when you realise that about nineteen writers out of twenty are introverts. We are been taught to be ashamed of not being 'outgoing'. But a writer's job is ingoing."
"The best I can say, it's like this. A man's in his skin, see, like a nut in its shell ... It's hard and strong, that shell, and it's all full of him. Full of grand man-meat, man-self. And that's all. That's all there is.A woman's a different thing entirely. Who knows where a woman begins and ends? Listen mistress, I have roots, I have roots deeper than this island. Deeper than the sea, older than the raising of the lands. I go back into the dark ... I go back into the dark! Before the moon I am, what a woman is, a woman of power, a woman's power, deeper than the roots of trees, deeper than the roots of islands, older than the Making, older than the moon. Who dares ask questions of the dark? Who'll ask the dark its name?"
"He began to see the truth, that Ged had neither lost nor won but, naming the shadow of his death with his own name, had made himself whole: a man: who, knowing his whole true self, cannot be used or possessed by any power other than himself, and whose life therefore is lived for life's sake and never in the service of ruin, or pain, or hatred, or the dark. In the Creation of Ea, which is the oldest song, it is said, 'Only in silence the word, only in dark the light, only in dying life: bright the hawk's flight on the empty sky."
"He looked at me. His firm, broad face showed weight-loss in deep shadows under the cheekbones, his eyes were sunken and his mouth sorely chapped and cracked. God knows what I looked like, when he looked like that. He smiled. 'With luck we shall make it, and without luck we shall not.'"
"It is yin and yang. Light is the left hand of darkness... how did it go? Light, dark. Fear, courage. Cold, warmth. Female, male. It is yourself, Therem. Both and one. A shadow on snow."
"H.G. Wells said that his method was "to trick his reader into an unwary concession to some plausible assumption and get on with his story while the illusion holds." Such prestidigitation is a characteristic ploy of science fiction: to make a nonexistent entity or impossible premise acceptable (often by scientific-sounding terms such as telepathy, extraterrestrial, cavorite, FTL speed) and then follow through with a genuinely realistic, logically coherent description of the effects and implica."
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