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"But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the scenes that follow it."
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"If Attila the Hun were alive today, he'd be a drama critic."

"The Complete Work is essentially dramatic, thought it takes different forms - prose passages in this first volume, poems and philosophies in other volumes. It's the product of the temperament I've been blessed or cursed with - I'm not sure which. All I know is that the author of these lines (I'm not sure if also of these books) has never had just one personality, and has never thought or felt except dramatically - that is, through invented persons, or personalities, who are more capable than he of feeling what's to be felt."

"But I majored in Drama, modified with Psychology."

"And now I may dismiss my heroine to the sleepless couch, which is the true heroine's portion - to a pillow strewed with thorns and wet with tears. And lucky may she think herself, if she get another good night's rest in the course of the next three months."

"In fact-Dr. Sheppard!"

"But in life, a tragedy is not one long scream. It includes everything that led up to it. Hour after trivial hour, day after day, year after year, and then the sudden moment: the knife stab, the shell burst, the plummet of the car from a bridge."

"Oh, this is the most TRAGICAL thing that ever happened to me!"

"You men have none of you any hearts.''If we have not hearts, we have eyes; and they give us torment enough."

"Sophia shrieked and fainted on the ground - I screamed and instantly ran mad. We remained thus mutually deprived of our senses, some minutes, and on regaining them were deprived of them again. For an Hour and a Quarter did we continue in this unfortunate situation - Sophia fainting every moment and I running mad as often. At length a groan from the hapless Edward (who alone retained any share of life) restored us to ourselves."
Explore more quotes by C. S. Lewis

"Can a mortal ask questions which God finds unanswerable? Quite easily, I should think. All nonsense questions are unanswerable."

"A man can no more diminish God's glory by refusing to worship Him than a lunatic can put out the sun by scribbling the word, 'darkness' on the walls of his cell."

"Don't use words too big for the subject. Don't say "infinitely" when you mean "very"; otherwise you'll have no word left when you want to talk about something really infinite."

"Revenge loses sight of the end in the means, but it's end is not wholly bad - it wants the evil of the bad man to be to him what it is to everyone else. This is proved by the fact that the avenger wants the guilty party not merely to suffer, but to suffer at his hands, and to know it, and to know why. Hence the impulse to taunt the guilty man with his crime at the moment of taking vengeance: hence, too, such natural expressions as 'I wonder how he'd like it if the same thing were done to him' or 'I'll teach him'. For the same reason when we are going to abuse a man in words we say we are going to 'let him know what we think of him'."

"[M]an has been accustomed, ever since he was a boy, to having a dozen incompatible philosophies dancing about together inside his head. He doesn't think of doctrines as primarily "true" or "false," but as "academic" or "practical," "outworn" or "contemporary," "conventional" or "ruthless." Jargon, not argument, is your best ally in keeping him from the Church. Don't waste time trying to make him think that materialism is true! Make him think it is strong or stark or courageous-that it is the philosophy of the future. That's the sort of thing he cares about."

"He's a hedonist at heart. All those fasts and vigils and stakes and crosses are only a faA§ade. Or only like foam on the seashore. Out at sea, out in His sea, there is pleasure, and more pleasure. He makes no secret of it... He has a bourgeois mind. He has filled His world full of pleasures."

"Friendship arises out of mere Companionship when two or more of the companions discover that they have in common some insight or interest or even taste which the others do not share and which, till that moment, each believed to be his own unique treasure (or burden). The typical expression of opening Friendship would be something like, "What? You too? I thought I was the only one." ... It is when two such persons discover one another, when, whether with immense difficulties and semi-articulate fumblings or with what would seem to us amazing and elliptical speed, they share their vision - it is then that Friendship is born. And instantly they stand together in an immense solitude."
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