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"The other half is to dramatize the fact that we still "are" human beings, now. Or can be."
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"He reproduced himself with so much humble objectivity, with the unquestioning, matter of fact interest of a dog who sees himself in a mirror and thinks: there's another dog."
"General principles... are to the facts as the root and sap of a tree are to its leaves."
"Once the object has been constructed, I have a tendency to discover in it, transformed and displaced, images, impressions, facts which have deeply moved me."
"I will continue to express the fact I am for a drug-free sport and always will be."
"In fact, Moon came on tour with us for a bit just before a big festival in Brighton, I think."
"I knew the wild riders and the vacant land were about to vanish forever... and the more I considered the subject, the bigger the forever loomed. Without knowing how to do it, I began to record some facts around me, and the more I looked the more the panorama unfolded."
Explore more quotes by David Foster Wallace
"Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it."
"I think the world divides neatly into those who are excited by the managed induction of terror and those who are not. I do not find terror exciting. I find it terrifying. One of my basic goals is to subject my nervous system to as little total terror as possible. The cruel paradox of course is that this kind of makeup usually goes hand in hand with a delicate nervous system that's extremely easy to terrify."
"We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life "outside" the story changes the story."
"You know, the whole thing about perfectionism. The perfectionism is very dangerous. Because of course if your fidelity to perfectionism is too high, you never do anything. Because doing anything results in...it's actually kind of tragic because you sacrifice how gorgeous and perfect it is in your head for what it really is. And there were a couple of years where I really struggled with that."
"I often think I can see it in myself and in other young writers, this desperate desire to please coupled with a kind of hostility to the reader."
"Why do prostitutes when they get straight always try and get so prim? It's like long-repressed librarian-ambitions come flooding out."
"The fraudulence paradox was that the more time and effort you put into trying to appear impressive or attractive to other people, the less impressive or attractive you felt inside -- you were a fraud. And the more of a fraud you felt like, the harder you tried to convey an impressive or likable image of yourself so that other people wouldn't find out what a hollow, fraudulent person you really were."
"With still, underneath, the old respectable-girl-versus-slut thing. It's OK to fuck around if you're a feminist but it's also not OK to fuck around because most guys aren't feminists and won't respect you and won't call you again if you fuck around."
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