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"It's a lie, but it's the lie he needs. I'm going to hell."
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"Modern tragic writers have to write short stories; if they wrote long stories - cheerfulness would creep in. Such stories are like stings; brief, but purely painful."

"Alone with everybody the flesh covers the bone and they put a mind in there and sometimes a soul,and the women break vases against the walls and them men drink too much and nobody finds the one but they keep looking crawling in and out of beds.flesh covers the bone and the flesh searches for more than flesh.there's no chance at all:we are all trapped by a singular fate.nobody ever finds the one.the city dumps fill the junkyards fill the mad houses fill the hospitals fill the graveyards fill nothing else fills."

"Modern romance, like Greek tragedy, celebrates the mystery of dismemberment, which is life in time. The happy ending is justly scorned as a misrepresentation; for the world, as we know it, as we have seen it, yields but one ending: death, disintegration, dismemberment, and the crucifixion of our heart with the passing of the forms that we have loved."

"Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself."

"Malphas surveyed the women's bodies with utter disgust and sorrowuntil he realized Tabitha was still alive. He knelt by her side and cradled her head tenderly. "Tabby... I'm so sorry"Grimacing she opened her eyes as she labored to breathe. She laughed bitterly, exposing a set of bleeding teeth. "there are some things that sorry doesn't fix, Caleb.""Shhh, don't speak. I can--""you failed us," She went limp in his arms. Her eyes went Dull.Wincing, Caleb held her close to his heart and stroked her bloody hair. "No, Tabby. I failed myself.""Most of all, I failed Nick."

"The transience of humanity frames the tragedy of all people. There are no happy conclusions to life, we all die, and until we die, we will experience both happiness and pain. Acceptance of the tragedy of humankind without remorse is a shattering experience; it enables us to relinquish mawkish misconceptions, destructive obsessions, and crippling attachments. Only by accepting the tragedy of life as an integral part of the incandescent beauty of life, will I understand what it means to rejoice in the indelible bloom of life."

"She was the most beautiful thing I had ever seen, a tiny, bloody angel in the snow, and they were going to destroy her."
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"Then the other door opened. I wen't rigid. If I had thought Reth's was beautiful, it was nothing to this soul. It filled the night with light, dancing and rippling like the reflection on a pond. I hadn't seen many souls, but I knew this one was special. I wanted it. I needed it."

"I cannot afford to lose you, too''You cannot lose something you do not own. Take me with you."

"Why does IPCA use them if they're evil? he asked, confused.'They aren't evil. They aren't even really immoral, per se. They're amoral. They don't operate on the same level that we do. For a faerie, the only thing that matters is what they want. That's their good. Anything else is superfluous. So like how they kidnap people, not a big deal-they want the person, they take him. Or killing someone. If you live forever, how much does one mortal life matter in the scheme of things? When you exist outside time, cutting off the forty years a person has left is a non-issue. They don't even notice."

"Why must I always be a man's servant?' Lada demanded. 'If anything, I should be partners with the devil, not his servant."

"But there are many ways to be powerful. There is power in stillness. There is power in watching, waiting, saying the right thing at the right time to the right person. There is power in being a woman---oh yes, power in these bodies you gaze upon with derision."

"They're crystal blue, a shade that shouldn't exist on the human body, I shade I immediately crave, a shade that makes my heart beat a little bit faster--almost as if I recognize it. I want to steal it, paint it, throw it into every room I ever decorate. It's the most perfect blue I've ever seen. Even from this distance his eyes are simply remarkable."
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