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"If you put enough closets together, you have enough space for a room. If you put enough rooms together, you have enough room for a house. If you put enough houses together, you have space for a town, then a city, then a nation, then a world."
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"Every man's work, whether it be literature, or music or pictures or architecture or anything else, is always a portrait of himself."

"I was planning to go into architecture. But when I arrived, architecture was filled up. Acting was right next to it, so I signed up for acting instead."

"We shape our buildings thereafter they shape us."

"Rather than wait to see what the day or future holds, why not design and plan the future you want to experience?"

"Modern architecture predominately specializes in designing what are essentially dimly lit caves."

"We shape our buildings, thereafter they shape us."

"Nothing - really, absolutely nothing - says more about Victorian Britain and its capacity for brilliance than that the century's most daring and iconic building was entrusted to a gardener."

"The reality of the building does not consist in the roof and walls but in the space within to be lived in."

"It seems a fantastic paradox, but it is nevertheless a most important truth, that no architecture can be truly noble which is not imperfect."

"A man of eighty has outlived probably three new schools of painting, two of architecture and poetry and a hundred in dress."
Explore more quotes by David Levithan

"If you want to live within the definition of your own truth, you have to choose to go through the painful process of finding it."

"We always underestimated our own participation in magic. That is, we thought of magic as something that existed with or without us. But that's not true. Things are not magical because they've been conjured for us by some outside force. They are magical because we create them, and then deem them so. Ryan and Avery will say the first moment they spoke, the first moment they danced, was magical. But they were the ones-no one else, nothing else-who gave it the magic. We know. We were there. Ryan opened himself to it. Avery opened himself to it. And the act of opening was all they needed. That is the magic."

"Either way, you were connected. By your desires. By your defiance. By the simple, complicated fact of who you were."

"I showed him the Post-it. "You see They're from Lily."Who's Lily?"Some girl."Ooh... a girl!"Boomer, we're not in third grade anymore. You don't say, 'Ooh... a girl!'"What? You fucking her?"Okay, Boomer, you're right. I liked 'Ooh... a girl!' much more than that. Let's stick with 'Ooh... a girl!"

"It is much harder to lie to someone's face.But.It is also much harder to tell the truth to someone's face."

"Here's what I think. We all want someone to build a fort with. We want somebody to swap crayons with and play hide-and-seek with and live out imaginary stories with. We start out getting that from our family. Then we get it from our friends. And then, for whatever reasons, we get it in our heads that we need to get that feeling- that intimacy- from a single someone else. We call if growing up. But really, when you take sex out of it, what we want is a companion. And we make that so damn hard to find."

"There has to be a moment at the beginning where you wonder whether you're in love with the person or in love with the feeling of love itself. If the moment doesn't pass, that's it-you're done. And if the moment does pass, it never goes that far. It stands in the distance, ready for whenever you want it back. Sometimes it's even there when you thought you were searching for something else, like an escape route, or your lovers' face."
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