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"The assumption is that life doesn't need to be navigated with lessons. You can just do it intuitively. After all, you only need to achieve autonomy from your parents, find a moderately satisfying job, form a relationship, perhaps raise some children, watch the onset of mortality in your parents' generation and eventually in your own, until one day a fatal illness starts gnawing at your innards and you calmly go to the grave, shut the coffin and are done with the self-evident business of life."
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"And then his noise falls completely silent-And he stops struggling-And looking right into my eyes-He dies.My Todd dies."
"Ay, but to die, and go we know not where;To lie in cold obstruction and to rot;This sensible warm motion to becomeA kneaded clod; and the delighted spiritTo bathe in fiery floods, or to resideIn thrilling region of thick-ribbed ice;To be imprison'd in the viewless winds,And blown with restless violence round aboutThe pendent world; or to be worse than worstOf those that lawless and incertain thoughtImagine howling: 'tis too horrible!The weariest and most loathed worldly lifeThat age, ache, penury and imprisonmentCan lay on nature is a paradiseTo what we fear of death."
"The Waystone was his, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wrapping the others inside itself. It was deep and wide as autumn's ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die."
Explore more quotes by Alain de Botton
"Fantasies can be great, but we shouldn't make the wedding a fantasy, because the wedding is the gateway to married life. It shouldn't be a moment of illusion; it should be a moment of preparation."
"A popular perception that political news is boring is no minor issue; for when news fails to harness the curiosity and attention of a mass audience through its presentational techniques, a society becomes dangerously unable to grapple with its own dilemmas and therefore to marshal the popular will to change and improve itself."
"To a shameful extent, the charm of marriage boils down to how unpleasant it is to be alone."
"The thing is that love gives us a ringside seat on somebody else's flaws, so of course you're gonna spot some things that kinda need to be mentioned. But often the romantic view is to say, 'If you loved me, you wouldn't criticise me.' Actually, true love is often about trying to teach someone how to be the best version of themselves."
"To appreciate life's small moments, it helps to have a sense the whole can never be made perfect."
"Our exertions generally find no enduring physical correlatives. We are diluted in gigantic intangible collective projects, which leave us wondering what we did last year and, more profoundly, where we have gone and quite what we have amounted to....How different everything is for the craftsman who ... can step back at the end of a day or lifetime and point to an object--whether a square of canvas, a chair or a clay jug--and see it as a stable repository of his skills and an accurate record of his years, and hence feel collected together in one place, rather than strung out across projects which long ago evaporated into nothing one could hold or see."
"There is an easy way to measure our inner levels of abjectness and friendliness to ourselves: we should examine how well we response to noise."
"Standing before costly objects of technological beauty, we may be tempted to reject the possibility of awe, for fear that we could grow stupid through admiration. We may feel at risk of becoming overimpressed by architecture and engineering, of being dumbstruck by the Bombardier trains that progress driverlessly between satellites or by the General Electric GE90 engines that hang lightly off the composite wings of a Boeing 777 bound for Seoul. And yet to refuse to be awed at all might in the end be merely another kind of foolishness."
"I am conscious of trying to stretch the boundaries of non-fiction writing. It's always surprised me how little attention many non-fiction writers pay to the formal aspects of their work."
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