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"I made the tenor sax - there's nobody plays like me and I don't play like anybody else."
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"I held out a lead figurine of Hades-the little Mythomagic statue Nico had abandoned when he fled camp last winter.Nico hesitated. "I don't play that game anymore. It's for kids.""It's got four thousand attack power," I coaxed."Five thousand," Nico corrected. "But only if your opponent attacks first."I smiled. "Maybe it's okay to still be a kid once in a while."

"Hey, pretty book, why don't you lie in my lap awhile?"

"Kids. They're not tin cans or sheetrock. They're laughing machines. Wind them up and watch them go."

"We have different personalities, but in a harmonious way, I'd say. Anyway, we were booked to play at the festival as a duo; and we decided we wouldn't have any rehearsal."
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"Writing a play, you start with less, so more is demanded of you. It's as if you have to not only write a symphony, but invent the instruments as well."

"The only other things, and again these things are hearsay, is that he could be pretty rough on directors, because he knew exactly the way he wanted to play the part. And he did so."

"When you have an acoustic bass in the ensemble it really changes the dynamic of the record because it kind of forces everybody to play with a greater degree of sensitivity and nuance because it just has a different kind of tone and spectrum than the electric bass."
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"I honestly can't characterize my style in words. It seems that whatever comes to me naturally, I play."

"Some people say there was no jazz tenor before me. All I know is I just had a way of playing and I didn't think in terms of any other instrument but the tenor."
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