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Tony Hillerman

"Although I wasn't able to get a visa for Vietnam, I was able to talk with swift boat veterans to get a feel for the time and place, and I visited a tropical prison in the Philippines to get a sense of what a Vietnamese prison might have been like."

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"Although I wasn't able to get a visa for Vietnam, I was able to talk with swift boat veterans to get a feel for the time and place, and I visited a tropical prison in the Philippines to get a sense of what a Vietnamese prison might have been like."

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"Time is always standing still, we are only changing."

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"But I suppose film is distinctive because of its nature, of its being able to cut through time with editing."

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"The time is always right, just act."

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"We recorded that trio and it's out on the Knitting Factory label. I've got another record in the can with that group and Marc, which I'll hopefully finish some time before next summer."

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"I call it like the domino theory of reality. If you can go one step at a time and it seems to make sense, you can then take your audience into an area that is relatively outlandish."

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"All times are treasureable; the times of prosperity, and times of adversity."

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"Time is the most valuable currency so spend it wisely"

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"In the beauty of the mornings we forget about the night; in the beauty of the night we forget about the mornings! When you meet the beauty, you drop anchor in the present time and all other times disappear from your mind!"

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"I think in this movie, every time I see his work, I'm blown away by it because he, to me, he really embodied the character so powerfully and so real, so truthfully to me."

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"Because these show are live, script pages are being switched during the program and new commercial teases might be yelled in your ear with just enough time to scribble them on scrap paper before reading them."

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"Having grown up in Oklahoma when it was one of the last states which prohibited liquor, I grew up with War On Drugs, where every teenager knew who the bootleggers were."
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"I try to make my books reflect humanity as I see it."
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"How can you stop writing?"
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"Although I wasn't able to get a visa for Vietnam, I was able to talk with swift boat veterans to get a feel for the time and place, and I visited a tropical prison in the Philippines to get a sense of what a Vietnamese prison might have been like."
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"I always have one or two, sometimes more, Navajo or other tribes' cultural elements in mind when I start a plot. In Thief of Time, I wanted to make readers aware of Navajo attitude toward the dead, respect for burial sites."
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"I know what I write about seems exotic to a lot of people, but not for me. I pulled up to an old trading post and saw a few elderly Navajos sitting on a bench. I felt right at home."
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"You write for two people, yourself and your audience, who are usually better educated and at least as smart."
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"The essays in The Great Taos Bank Robbery were my project to win a Master of Arts degree in English when I quit being a newspaper editor and went back to college."
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"I always try to make the setting fit the story I have in mind."
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"Women are extremely important shapers of my own life."
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