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Satyajit Ray

"When I'm shooting on location, you get ideas on the spot - new angles. You make not major changes but important modifications, that you can't do on a set. I do that because you have to be economical."

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"When I'm shooting on location, you get ideas on the spot - new angles. You make not major changes but important modifications, that you can't do on a set. I do that because you have to be economical."

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"For me the experience of writing is really an experience of losing control. I think it's very much like dreaming or like surfing. You go out there and wait for a wave, and when it comes it takes you somewhere and you don't know where it'll go."

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"If you you write with enough assurance and confidence, you're allowed to do whatever you like. So write your story as it needs to be written. Write it honestly, and tell it as best you can."

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"Then I realized the vital necessity of art. Human life, yes, you nurse people, you clean house, you market, but then comes the moment of solace and flight. i sit and write and summon other friends, other forms of life, other experiences, and the voyage and the exploration, the delving into character, the vast expanse of life's possibilities and potentialities, contemplation of future travels, of dazzling friendships, all this then makes the chores and the sacrifices beautiful because they are diverted toward some beautiful aim, they become part of the structure of a work of art."

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"The idea really came to me the day I got my new false teeth."

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"I like working among 'creative clutter'. It gives me a sense of activity and achievement."

Explore more quotes by Satyajit Ray

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Satyajit Ray
"My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following the actors is dreadful."
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Satyajit Ray
"It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn't want to do the same kind of film again, so I made a musical."
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Satyajit Ray
"Ever since Two Daughters I've been composing my own music."
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Satyajit Ray
"I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it."
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Satyajit Ray
"The conception of background music is changing. You use less and less of it these days."
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Satyajit Ray
"When I write an original story I write about people I know first-hand and situations I'm familiar with. I don't write stories about the nineteenth century."
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Satyajit Ray
"When I'm shooting on location, you get ideas on the spot - new angles. You make not major changes but important modifications, that you can't do on a set. I do that because you have to be economical."
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Satyajit Ray
"I think they quite like me when I work because I'm one of the safer directors to back, because even if my films don't bring their costs in back home, once they're shown outside of India they manage to cover the costs."
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Satyajit Ray
"The director is the only person who knows what the film is about."
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Satyajit Ray
"The only solutions that are ever worth anything are the solutions that people find themselves."
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