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"I've just simply used what I've used because of the great, great expressive potential of it."
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"Air of dustFor a moment I was a storm cloud,All righteous booming thunder;All sharp and pinning,Dazzling.Once the flashing fadedA sizzling prong sprang upwards.I was positively popped.The static situationStruck meNegatively, And I leaked out sulfur on the peopleWho dared hold up the sky.Strong storms are still bonelessAnd mostly all alone."
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"It must have been an endless breathing in: between the wish to know and the wish to praise there was no seam."
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"A vast and fiery nuclear furnace launched photons through the reaches of space; they hurtled trillions of kilometers at breakneck speed, then filtered gently into the bedroom as shafts of dawn sunlight."
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"It's too short,' she said, 'ever so much too short.' Never did anybody look so sad. Bitter and black, half-way down, in the darkness, in the shaft which ran from the sunlight to the depths, perhaps a tear formed; a tear fell; the waters swayed this way and that, received it, and were at rest. Never did anybody look so sad."
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"So fine was the morning except for a streak of wind here and there that the sea and sky looked all one fabric, as if sails were stuck high up in the sky, or the clouds had dropped down into the sea."
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"Life is a luminous halo a semi-transparent envelope surrounding us from the beginning."
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"I've just simply used what I've used because of the great, great expressive potential of it."
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"I'm thinking in terms of a point of departure, a field of action for performers to express an expressive need of mine which hopefully the context of music would convey."
Music

"I really write for people."
People

"But nevertheless, it's music ultimately that matters in opera, and opera is a piece of music reaching out as a vision in sound reaching out to the world."
Music

"However, yes, especially as one gets older, you know, you really hope that your music will become more generally available, even though some of the performances might be riddled with faults."
Music

"We need to open up the future. We also need to keep everything valuable from the past."
Future

"Well, let me, first of all, say, that as a microtonal composer, I've never been much of a theorist."
Composer

"I think the composer and production staff of an opera have a real responsibility to use visual elements of all kinds to make clear to the American audience, at any rate, exactly what is going on."
Visualization

"The way that I got involved with microtonal music was, frankly, through jazz."
Music

"Well, the very best operas are the ones written by the very best composers."
Opera

"In other words, I think that if an audience listens to something as an experience of how in tune it is or something of that kind, that the whole point is somehow being missed, and the music has failed."
Experience
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