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John Eaton

"I've just simply used what I've used because of the great, great expressive potential of it."

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"I've just simply used what I've used because of the great, great expressive potential of it."

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Amber Hurdle

"The flowers were beaten down, their bent-over heads bejeweled with diamond droplets like earring on sad, rich widows."

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Amber Hurdle

"It must have been an endless breathing in: between the wish to know and the wish to praise there was no seam."

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Amber Hurdle

"So fine was the morning except for a streak of wind here and there that the sea and sky looked all one fabric, as if sails were stuck high up in the sky, or the clouds had dropped down into the sea."

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Amber Hurdle

"It's too short,' she said, 'ever so much too short.' Never did anybody look so sad. Bitter and black, half-way down, in the darkness, in the shaft which ran from the sunlight to the depths, perhaps a tear formed; a tear fell; the waters swayed this way and that, received it, and were at rest. Never did anybody look so sad."

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Amber Hurdle

"A vast and fiery nuclear furnace launched photons through the reaches of space; they hurtled trillions of kilometers at breakneck speed, then filtered gently into the bedroom as shafts of dawn sunlight."

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Amber Hurdle

"Life is a luminous halo a semi-transparent envelope surrounding us from the beginning."

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Amber Hurdle

"Air of dustFor a moment I was a storm cloud,All righteous booming thunder;All sharp and pinning,Dazzling.Once the flashing fadedA sizzling prong sprang upwards.I was positively popped.The static situationStruck meNegatively, And I leaked out sulfur on the peopleWho dared hold up the sky.Strong storms are still bonelessAnd mostly all alone."

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Amber Hurdle

"I've just simply used what I've used because of the great, great expressive potential of it."

Explore more quotes by John Eaton

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John Eaton
"I think a lot of composers get into trouble just making up a plot and expecting an audience to follow that."
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John Eaton
"We need to have as broad a range as possible, because life itself has that kind of range."
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John Eaton
"Well, let me, first of all, say, that as a microtonal composer, I've never been much of a theorist."
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John Eaton
"I'm thinking in terms of a point of departure, a field of action for performers to express an expressive need of mine which hopefully the context of music would convey."
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John Eaton
"But nevertheless, it's music ultimately that matters in opera, and opera is a piece of music reaching out as a vision in sound reaching out to the world."
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John Eaton
"What's important for me is to communicate the vision that I have in sound with the audience that's hearing it."
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John Eaton
"However, yes, especially as one gets older, you know, you really hope that your music will become more generally available, even though some of the performances might be riddled with faults."
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John Eaton
"In other words, I think that if an audience listens to something as an experience of how in tune it is or something of that kind, that the whole point is somehow being missed, and the music has failed."
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John Eaton
"If you look at the timing of many of the Greek dramas from the theatrical point of view, it's all off, and I think the reason for that is that music played a very important part."
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John Eaton
"The way that I got involved with microtonal music was, frankly, through jazz."
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