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"Sweet words. Gentle deceptive balm. Help, love, to belong together, to come back again- words, sweet words. Nothing but words. How many words existed for this simple, wild, cruel attraction of two bodies! What a rainbow of imagination, lies, sentiment, and self-deception enclosed it!"
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"She held up her calloused, grimy fingers. Leo couldn't help thinking there was nothing hotter than a girl who didn't mind getting her hands dirty. But of course, that was just a general comment. Didn't apply to Calypso. Obviously."
"I glanced again. He was still watching me.Look, let me just say it: He was hot. A nonhot boy stares at you relentlessly and it is, at best, awkward and, at worst, a form of assault. But a hot boy... well."
"You're so blantantly attracted to me, it's hard not to tease you."
"Without even realizing it, we magnetize people, opportunities, and outcomes. Many people continue to attract dysfunctional folks who bring trauma, drama, crisis, and negativity and then wonder why they are so miserable. Be cognizant of how you're being because it is most certainly attracting what you're receiving."
"The rest of them looked proper when they did it, but somehow Edward made even this gesture appear like in seconds he'd rip off her corset and do away with her skirt."
"Even though you're not my type, gender wise, you're certainly my type, person-wise."
"You turn me on from across the room, and I'll completely melt if you come any closer."
"What does a guy say to that? What does an inexperienced guy say to a beautiful, smart, proper girl who's not supposed to say things like that?"
"A man when he is making up to anybody can be cordial and gallant and full of little attentions and altogether charming. But when a man is really in love he can't help looking like a sheep."
"He liked her, it was as simple as that."
Explore more quotes by Erich Maria Remarque
"I am often on guard over the Russians. In the darkness one sees their forms move like stick storks, like great birds. They come close up to the wire fence and lean their faces against it. Their fingers hook round the mesh."
"The crowd, still shouting, gives way before us. We plough our way through. Women hold their aprons over their faces and go stumbling away. A roar of fury goes up. A wounded man is being carried off."
"We developed a firm, practical feeling of solidarity, which grew, on the battlefield, into the best thing that the war produced - comradeship in arms."
"We don't act like that because we are in good humor we are in a good humor because otherwise we should go to pieces."
"And be very careful at the front, Paul.Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are!"
"This book is to be neither an accusation nor a confession, and least of all an adventure, for death is not an adventure to those who stand face to face with it. It will try simply to tell of a generation of men who, even though they may have escaped shells, were destroyed by the war."
"Petnaest srećnih godina su kratke - odgovorih. Petnaest nesrećnih godina su duge i pružaju čoveku mnogo iskustva."
"I glance at my boots. They are big and clumsy, the breeches are tucked into them, and standing up one looks well-built and powerful in those great drainpipes. But when we go bathing and strip, suddenly we have slender legs again and slight shoulders. We are no longer soldiers but little more than boys; no one would believe that we could carry packs. It is a strange moment when we stand naked; then we become civilians, and almost feel ourselves to be so. When bathing Franz Kemmerich looked as slight and frail as a child. There he lies now - buy why? The whole world ought to pass by this bed and say: 'That is Franz Kemmerich, nineteen and a half years old, he doesn't want to die. Let him not die!"
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