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Arundhati Roy

"Sitting next to Tilo, breathing next to her, he felt like an empty house whose locked windows and doors were creaking open a little, to air the ghosts trapped inside it."

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"Sitting next to Tilo, breathing next to her, he felt like an empty house whose locked windows and doors were creaking open a little, to air the ghosts trapped inside it."

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Amber Hurdle

"Enthusiasm is a supernatural serenity."

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Amber Hurdle

"This is how we bring about our own damnation, you know-by ignoring the voice that begs us to stop. To stop while there's still time."

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Amber Hurdle

"I have wished a bird would fly away,And not sing by my house all day;Have clapped my hands at him from the doorWhen it seemed as if I could bear no more.The fault must partly have been in me.The bird was not to blame for his keys.And of course there must be something wrongIn waiting to silence any song."

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Amber Hurdle

"I wanted to say goodbye to someone, and have someone say goodbye to me. The goodbyes we speak and the goodbyes we hear are the goodbyes that tell us we re still alive."

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Amber Hurdle

"He could not say goodbye to these three rooms as he could to a house he had loved: hotel rooms accepted departures emotionlessly."

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Amber Hurdle

"I changed it. I had to. Do you know why?" She studied him, her eyes grave. "Because that was then and this is now. Because the past is gone, even though it defines the present."

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Amber Hurdle

"She could smell damprot, high, sweet, and cloying. She could smell madness like dead vegetables in a dark cellar."

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Amber Hurdle

"That- we seemed to have decided without saying a word- might go a long way toward spoiling something that was special, and beautiful, by virtue of its strangeness and delicacy."

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Amber Hurdle

"How does it happen that a writer who's not even very good - and I can say that, I've read four or five of his books - gets to be in charge of the world's destiny? Or of the entire universe's?"If he's not very good, why didn't you stop at one?"Mrs. Tassenbaum smiled. "TouchA©. He is readable, I'll give him that - tells a good story..."

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Amber Hurdle

"He is talking to people in Toronto, trying to find out if I am guilty; but he won't find it out that way. He doesn't understand yet that guilt comes to you not from the things you've done, but from the things that other have done for you."

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Arundhati Roy
"There's really no such thing as the 'voiceless'. There are only the deliberately silenced, or the preferably unheard."
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Arundhati Roy
"If you're happy in a dream, does that count?"
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Arundhati Roy
"Cow, goat, chicken, lamb . . . only slaves eat like this,' Musa said, heaping an impolite amount on to his plate. 'Our stomachs are graveyards."
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Arundhati Roy
"The English-language press in India supports the project of corporate globalization fully. It has no time for dispossession and drought and farmers' debts, the ravages that the corporate globalization project is wreaking on the poor of India. So to suddenly turn around and condemn the riots is a typical middle-class response. Let's support everything that leads to the conditions in which the massacre takes place, but when the killing starts, you recoil in middle-class horror, and say, "Oh, that's not very nice. Can't we be more civilized?"
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Arundhati Roy
"The frozen flowers never go away. They hang around somewhere all the time. I think we need to talk about vases. Did you hear the sound of the white flower?"
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Arundhati Roy
"History would be a revelation of the future as much as it was a study of the past."
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Arundhati Roy
"The only dream worth having, I told her, is to dream that you will live while you're alive and die only when you're dead."
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Arundhati Roy
"Everyone thinks I live alone, but I don't. My characters all live with me."
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Arundhati Roy
"Capitalism is destroying the planet. The two old tricks that dug it out of past crises--War and Shopping--simply will not work."
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Arundhati Roy
"Something about Tilo's new home reminded Musa of the story of Mumtaz Afzal Malik, the young taxi driver whom Amrik Singh had killed, whose body had been recovered from a field and delivered to his family with earth in his clenched fists and mustard flowers growing through his fingers. That story had always stayed with Musa — perhaps because of the way hope and grief were woven together in it, so tightly, so inextricably."
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