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"In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character."
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"Regard your soldiers as your children, and they will follow you into the deepest valleys; look on them as your own beloved sons, and they will stand by you even unto death."
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"She cannot possibly be dead, people do not just die."
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"Do not forever with thy vailed lidsSeek for thy noble father in the dust.Thou know'st 'tis common; all that lives must die,Passing though nature to eternity."
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"I leaned against the desk, ran my hand over my father's paperwork, and picked up a pen. Turning around, I shoved it into my father's hand. 'What's this?' he asked, raising a brow. 'You'll need it to sign my death certificate, ' I said, pain vibrating my veins against my muscles and bones. 'Are we done now? (Eric)"
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"It is difficult to accept death in this society because it is unfamiliar. In spite of the fact that it happens all the time, we never see it."
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"This world's a city full of straying streets, and death's the market-place where each one meets."
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"She'll die.' 'Aye. That's a consequence of being alive."
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"It is not death, it is dying that alarms me."
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"It was an indulgence, learning last words. Other people had chocolate; I had dying declarations."
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"Not that I want the current president killed. I will, for the record and for the FBI agent assigned to read this and make sure I mean no harm, clearly state that while I am obsessed with death, I am against it."
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"Nor does the idea of a moral order asserting itself against attack or want of conformity answer in full to our feelings regarding the tragic character."
Feelings

"In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character."
Death

"Shakespeare very rarely makes the least attempt to surprise by his catastrophes. They are felt to be inevitable, though the precise way in which they will be brought about is not, of course, foreseen."
Catastrophes

"Most people, even among those who know Shakespeare well and come into real contact with his mind, are inclined to isolate and exaggerate some one aspect of the tragic fact."
People

"We might not object to the statement that Lear deserved to suffer for his folly, selfishness and tyranny; but to assert that he deserved to suffer what he did suffer is to do violence not merely to language but to any healthy moral sense."
Folly

"We cannot arrive at Shakespeare's whole dramatic way of looking at the world from his tragedies alone, as we can arrive at Milton's way of regarding things, or at Wordsworth's or at Shelley's, by examining almost any one of their important works."
Shakespeare

"In speaking, for convenience, of devices and expedients, I did not intend to imply that Shakespeare always deliberately aimed at the effects which he produced."
Shakespeare

"In approaching our subject it will be best, without attempting to shorten the path by referring to famous theories of the drama, to start directly from the facts, and to collect from them gradually an idea of Shakespearean Tragedy."
Idea

"Shakespeare also introduces the supernatural into some of his tragedies; he introduces ghosts, and witches who have supernatural knowledge."
Knowledge

"In the first place, it must be remembered that our point of view in examining the construction of a play will not always coincide with that which we occupy in thinking of its whole dramatic effect."
Effect
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