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Jonathan Lethem

"Fantastic writing in English is kind of disreputable, but fantastic writing in translation is the summit."

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"Fantastic writing in English is kind of disreputable, but fantastic writing in translation is the summit."

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Amber Hurdle

"Stories are like children. They grow in their own way."

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Amber Hurdle

"We do not enjoy a story fully at the first reading."

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Amber Hurdle

"A novel is never anything but a philosophy put into images."

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Amber Hurdle

"Every healthy person at some period must feed on fiction as well as fact; because fact is a thing which the world gives to him, whereas fiction is a thing which he gives to the world."

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Amber Hurdle

"Books. It's always easier to tell people that a character is funny rather than attempt to hit the punchline of a joke that character would've said. But if we all simply told, books would cease to exist. And so would empathy. And feeling."

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Amber Hurdle

"My only advantage as a reporter is that I am so physically small, so temperamentally unobtrusive, and so neurotically inarticulate that people tend to forget that my presence runs counter to their interests. And it always does. That is one last thing to remember: writers are always selling somebody out."

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Amber Hurdle

"They say Alexander the Great slept with 'The Iliad' beneath his pillow. Though I have never led an army, I am a wanderer. During the waning moon, I cradle Homer's 'Odyssey' as if it were the sweet body of a woman."

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Amber Hurdle

"Shakespeare shook his head and sunk his chin into his ruff, making him look more owl-like than ever. "I have written about other worlds often enough. I have said what I can say. There are many kinds of reality. This is but one kind."

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Amber Hurdle

"Pages entertain me more than pictures do."

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Amber Hurdle

"I think that [William] Faulkner and I each had to escape certain particulars of our lives, and we found salvation through words. I understand the Bible story of Babel so much better now. I think that moments of extremity, desires of escape, lead us to foreign languages--not those learned in schools, but those plucked from the human heart, the searing conditions of isolation. I did not have to be limited to my biography because of words, and I shared this with Faulkner, who invented new words and punctuation and expression and worlds. He utterly reshaped the world."

Explore more quotes by Jonathan Lethem

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Jonathan Lethem
"The past is still visible. The buildings haven't changed, the layout of the streets hasn't changed. So memory is very available to me as I walk around."
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Jonathan Lethem
"The arts and a belief in the values of the civil rights movement, in the overwhelming virtue of diversity, these were our religion. My parents worshipped those ideals."
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Jonathan Lethem
"What's lucky about my career in general is that I stumbled into what every writer most wants. Not repeating myself and doing strange things has become my trademark."
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Jonathan Lethem
"When the civil rights battle was won, all the Jews and hippies and artists were middle class white people and all the blacks were still poor. Materially, not much changed."
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Jonathan Lethem
"I never take any notes or draw charts or make elaborate diagrams, but I hold an image of the shape of a book in my head and work from that mental hologram."
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Jonathan Lethem
"I grew up with an artist father, and my parents' friends were also mainly artists or writers, so he connects what I do with his example."
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Jonathan Lethem
"I got into underground comics fairly early on and kind of wandered away from the superhero stuff, but I was an art student and I was drawing a lot as a kid."
Art,
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Jonathan Lethem
"I've had the odd good luck of starting slowly and building gradually, something few writers are allowed anymore. As a result I've seen each of my books called the breakthrough. And each was, in its way."
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Jonathan Lethem
"I keep one simple rule that I only move in one direction - I write the book straight through from beginning to end. By following time's arrow, I keep myself sane."
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Jonathan Lethem
"I had always wanted to be a writer who confused genre boundaries and who was read in multiple contexts."
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