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Edward Hopper

"The trend in some of the contemporary movements in art, but by no means all, seems to deny this ideal and to me appears to lead to a purely decorative conception of painting."

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"The trend in some of the contemporary movements in art, but by no means all, seems to deny this ideal and to me appears to lead to a purely decorative conception of painting."

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Amber Hurdle

"I live, love and loathe my characters. They stole my mind. They stole my heart."

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Amber Hurdle

"Art is always in the eyes of the beholder. Only posterity has the right to point out our mistakes."

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Amber Hurdle

"Is art really the priesthood that demands the pure in heart who belong to it wholly?"

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Amber Hurdle

"Perhaps this is the purpose of all art, all writing, on the murders, fiction and non-fiction: Simply to participate."

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Amber Hurdle

"Art is the right hand of Nature. The latter has only given us being, the former has made us men."

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Amber Hurdle

"Science, like art, religion, commerce, warfare, and even sleep, is based on presuppositions."

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Amber Hurdle

"Treat a work of art like a prince. Let it speak to you first."

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Amber Hurdle

"The vitality of a new movement in Art must be gauged by the fury it arouses."

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Amber Hurdle

"An artist is nothing without his or her obsessions, and I have mine."

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Amber Hurdle

"The animation of the canvas is one of the hardest problems of painting."

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Edward Hopper
"Well, I've always been interested in approaching a big city in a train, and I can't exactly describe the sensations, but they're entirely human and perhaps have nothing to do with aesthetics."
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Edward Hopper
"Painting will have to deal more fully and less obliquely with life and nature's phenomena before it can again become great."
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Edward Hopper
"I trust Winsor and Newton and I paint directly upon it."
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Edward Hopper
"I find linseed oil and white lead the most satisfactory mediums."
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Edward Hopper
"I use a retouching varnish which is made in France, Libert, and that's all the varnish I use."
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Edward Hopper
"My aim in painting has always been the most exact transcription possible of my most intimate impression of nature."
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Edward Hopper
"Well, I have a very simple method of painting."
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Edward Hopper
"I find in working always the disturbing intrusion of elements not a part of my most interested vision, and the inevitable obliteration and replacement of this vision by the work itself as it proceeds."
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Edward Hopper
"It's to paint directly on the canvas without any funny business, as it were, and I use almost pure turpentine to start with, adding oil as I go along until the medium becomes pure oil. I use as little oil as I can possibly help, and that's my method."
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Edward Hopper
"I believe that the great painters with their intellect as master have attempted to force this unwilling medium of paint and canvas into a record of their emotions."
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