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"I see what I did not see. I experience that which is outside my own experience. This is the magic of reading novels. This is the working out of the problem of illusion. I take a book off the shelf. I open it up and begin to read, and what I discover in its pages is real."
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"She even tried the one which every romantic nerve in her body insisted should work, which consisted of theatrically giving up, sitting down, and letting her glance fall naturally on a patch of earth which, if she had been in any decent narrative, should have contained the book.It didn't."

"Where do you think they've gone?' he said.'Where what?' said Lady Ramkin, temporarily halted.'The dragons. You know. Errol and his wi - female.''Oh, somewhere isolated and rocky, I should imagine,' said Lady Ramkin. 'Favourite country for dragons.''But it - she's a magical animal,' said Vimes. 'What'll happen when the magic goes away?'Lady Ramkin gave him a shy smile.'Most people seem to manage,' she said.She reached across the table and touched his hand."

"But to be perfectly frank, this childish idea that the author of a novel has some special insight into the characters in the novel...it's ridiculous. That novel was composed of scratches on a page, dear. The characters inhabiting it have no life outside of those scratches. What happened to them? They all ceased to exist the moment the novel ended."

"The good ended happily, and the bad unhappily. That is what fiction means."

"Neither novels or their readers benefit from any attempts to divine whether any facts hide inside a story. Such efforts attack the very idea that made-up stories can matter, which is sort of the foundational assumption of our species."

"Vampires did not avoid mirrors because they cast no reflection but because mirrors became so unflattering with the illusion of fuzzy focus wrenched away."

"Are you naked?" he rasped out. Swallowing hard, she nodded."

"Oh my God, you're such a guy!" "I'm glad you noticed." The glint in his dark eyes was purely wicked."
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"But all attractions are alike,' he said. 'They come from an emptiness inside.' He hammered on this chest with his index finger. 'Something's missing and you have to fill it. Books, paintings, people, they're all the same...''A lot of people do without books and paintings.''True,' he said, 'but that doesn't affect the argument.' Paris turned his head to one side and chewed on his lip. 'Of course, nothing ever does the trick. Nobody's really satisfied for long."

"Creativity has always depended on openness and flexibility, so let us hope for more of both in the future."

"There is no perception without memory. But good art surprise us. Good art reorients our expectations, forces us to break the pattern, to see in a new way."

"Ture stories can't be told forward, only backward. We invent them from the vantage point of an ever-changing present and tell ourselves how they unfolded."

"It's hard to penetrate characters who are very cut off and lack empathy and to do it with sympathy. It's so easy to make a damaged character repugnant."

"If something's not working, it's wonderful to have a reader you can trust to say, 'Actually, you've gone off the deep end here'."

"Old places fire the internal weather of our pasts. The mild winds, aching calms, and hard storms of forgotten emotions return to us when we return to the spots where they happened."

"The stories and pictures I make for the lives of the people closest to me are the forms of my empathy."

"The truth is that what fascinates me is not so much being in a place as not being there: how places live in the mind once you have left them, how they are imagined before you arrive, or how they are seemingly called out of nothing to illustrate a thought or story like my tree down yonder. These mental spaces map our Innes lives more fully than any "real" map, delineating the borders of here and there that also shape what we see in the present."
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