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"Well, one of the problems of working on a story with a character that sacred in the religions of the world or in a picture about that person, is that you have to forget about that and play it as real as you can because you can't look at yourself and judge yourself."
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"The psychoanalysis of neurotics has taught us to recognize the intimate connection between wetting the bed and the character trait of ambition."
"Always the wild child, conceived in flames, born of fire. Drawn to the forbidden, witch, warlock, burning stones. Her blood is made of moonlight; part dark, part light. Her heart, it's a sword; fiercely loyal and will fight to the death for those whom she loves. You can throw her in the fire, she always returns as a flame: the fervor is her anchor, her safe-haven... her blood."
"Playing the part of a charitable soul was only for those who were afraid of taking a stand in life. It is always far easier to have faith in your own goodness than to confront others and fight for your rights. It is always easier to hear an insult and not retaliate than have the courage to fight back against someone stronger than yourself; we can always say we're not hurt by the stones others throw at us, and it's only at night - when we're alone and our wife or our husband or our school friend is asleep - that we can silently grieve over our own cowardice."
"A sweet soul will take you further than a sweet tongue."
"To see a man's true colors, tell him you're saving yourself for marriage. To see a woman's true colors, tell her you're poor."
"Of Manners gentle, of Affections mild; In Wit a man; Simplicity, a child."
"An evil person will have evil friends. A righteous person will have righteous friends. The company you keep is hidden treasure or masked demise."
"Martial arts is not about fighting; it's about building character."
Explore more quotes by Rod Steiger
"And the reason I really appreciated this is because after the picture came out, I was invited by the American Psychiatric Association to give a lecture. I couldn't believe it!"
"If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?"
"Only after awhile. After it came out and people began to engage in discussions about the social reflections of the film that I realized it had an importance I hadn't thought of."
"I had read the novel and I had heard David Lean was going to direct it - and it came as a surprise to me because American actors, if given the chance, can do style as well as anybody and speak as well as anybody."
"And I'm supposed to grab her and kiss her and she's supposed to react. Well, what happened was, Julie was very nervous at that time, given this incredible part which she did beautifully."
"I found out was, by the rhythm of my chewing, how I chewed fast, slow or what have you, I could tell the audience what my character was thinking and feeling."
"I'm not so sure that younger people today really appreciate the enormous bravery that went into the creation and production of that film, or how important a film at the time it really was."
"He saved the production a tremendous amount. Now they did the scene where Omar is on the horse and he's in the deep snow, they went to Finland to do that. That scene they went to Finland for a week. I wasn't around then."
"'The Mark' I played a psychiatrist. And in the '50's everybody went to a psychiatrist because if you didn't, you'd have nothing to talk about at cocktail parties."
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