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"What was the barn like before it was photographed?' he said. 'What did it look like, how was it different from other barns, how was it similar to other barns? We can't answer these questions because we've read the signs, seen the people snapping the pictures. We can't get outside the aura. We're part of the aura. We're here, we're now."
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"Even if everybody is looking at the same light bulb, the unique composition of an individual will dictate how they interpret and see things. Some people will only see things with their left eye (mind/moon), while others will use only their right (heart/sun). Some people are completely void of light and repel it immediately. For instance, a beetle will chase after an opening of light, while a cockroach will scatter at a crack of it. How are we different than the insects? Nobody is purely good or purely evil. Most of us are in-between. There are moths that explore the day and butterflies that play at night. Polarity is an integral part of nature - human or not human."

"It is hard to believe that a man is telling the truth when you know that you would lie if you were in his place."

"Don't allow your imagination to colour events as lesser men would, and see movement in motionless things."

"For us, a pretty bird is a pretty bird; for an insect, pretty bird is an ugly enemy!"

"Appearance matters, we see your presentation before we get a chance to sample the substance within. You might miss a chance for the latter."

"You don't need to look at the beauty to feel the love."

"That was the problem with the outside world, the human world. The whole thing was made up puzzles, of a language she didn't quite speak."

"There are many degrees of sight and many degrees of blindness. What senses do we lack that we cannot see another world all around us?"

"Everything is just how I imagined it, yet everything is new."
Explore more quotes by Don DeLillo

"No sense of the irony of human experience, that we are the highest form of life on earth, and yet ineffably sad because we know what no other animal knows, that we must die."

"A photograph is a universe of dots. The grain, the halide, the little silver things clumped in the emulsion. Once you get inside a dot, you gain access to hidden information, you slide into the smallest event. This is what technology does. It peels back the shadows and redeems the dazed and rumbling past. It makes reality come true."

"I'd never felt more human than I did when my mother lay in bed, dying. This was not the frailty of a man who is said to be 'only human,' subject to a weakness or a vulnerability. This was a wave of sadness and loss that made me understand that I was a man expanded by grief."

"Why shouldn't his death bring you into some total scandal of garment-rending grief? Why should you accommodate his death? Or surrender to it in thin-lipped tasteful bereavement? Why give him up if you can walk along the hall and find a way to place him within reach?Sink lower, she thought. Let it bring you down. Go where it takes you."

"If you could stretch a given minute, what would you find between its unstuck components? Probably some kind of astral madness. A bleak comprehension of the final size of things."

"When I read obituaries I always note the age of the deceased. Automatically I relate this figure to my own age. Four years to go, I think. Nine more years. Two years and I'm dead. The power of numbers is never more evident than when we use them to speculate on the time of our dying."
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