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"French is, in many ways, more difficult for an English-speaking person to sing. It is so full of complex and trying vowels. It requires the utmost subtlety."
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"Belladonna, n.: In Italian a beautiful lady; in English a deadly poison. A striking example of the essential identity of the two tongues."

"It is very useful, when one is young, to learn the difference between "literally" and "figuratively." If something happens literally, it actually happens; if something happens figuratively, it feels like it is happening. If you are literally jumping for joy, for instance, it means you are leaping in the air because you are very happy. If you are figuratively jumping for joy, it means you are so happy that you could jump for joy, but are saving your energy for other matters."

"Words are not static.Language shape our memories, and it is also shaped by our memories."

"Although profanity is part of our language that we speak everyday, it can simultaneity be used as a weapon to demoralize other people if it is offensive within its meaning."

"English is not merely a language anymore, it has become a way of life for millions of non-native English speakers around the world."

"I took some classes in sign language when I was in my early teens because I was told that I would be completely deaf very early. But I never really wanted to learn."

"The limits of my language means the limits of my world."
Explore more quotes by Alma Gluck

"Inspired by the purse rather than the soul, the mercenary side fairly screams in many of the works put out by every day American publishers."

"Just as the bird sings or the butterfly soars, because it is his natural characteristic, so the artist works."

"If the student could give up her work on my advice, she had better give it up without it. One does not study for a goal. The goal is a mere accident."

"Acquiring a repertoire in these days, when the vocal literature is so immense, so overwhelming, that the student with sense will devote all his energies to work and not imagine himself a martyr to art."

"Vocal study before age 20 is likely to be injurious, though some survive it in the hands of very careful and understanding teachers."

"When the student has her voice under complete control, it is safe to take up the lyric repertoire of Mendelssohn, Old English Songs, etc. How simple and charming they are!"

"The sincerity of the art worker must permeate the song as naturally as the green leaves break through the dead branches in springtime."

"A student will send me an urgent appeal to hear her, saying she is poor and wants my advice as to whether it is worth while to continue her studies. I invariably refuse such requests."

"The real artist has no idea that he is sacrificing himself for art. He does what he does for one reason and one reason only-he can't help doing it."

"We are rich in the quantity of songs rather than in the quality. The singer has to go through hundreds of compositions before he finds one that really says something."
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