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Jim Henson

"Well, Detroit Institute is kind of a key - probably the largest permanent collection of puppets in the US."

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"Well, Detroit Institute is kind of a key - probably the largest permanent collection of puppets in the US."

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Amber Hurdle

"And that's what I've learned too: writing is key."

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Amber Hurdle

"Suprisingly, one of the most complex pieces of code is the code to determine where a note is in the staff. Finale stores notes as relative scale positions in the current key."

Key,
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Amber Hurdle

"The moment I saw the model and heard about the complementing base pairs I realized that it was the key to understanding all the problems in biology we had found intractable - it was the birth of molecular biology."

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Amber Hurdle

"The key is in remaining just aloof enough from a painting so that you know when to stop."

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Amber Hurdle

"As long as I know what key the solo is in, I try to kind of empty my mind and not think about anything. I just play without thinking."

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Amber Hurdle

"I got bored with the old way - it came too easy. I worked until I could play and chord changes at any tempo in any key, and then said 'What else is there?' Now I'm finding out."

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Amber Hurdle

"I don't look at a knife the way I used to. I'm more aware of what it is. I think twice. This is a key finger. It's in every chord."

Key,
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Amber Hurdle

"If you feel you have the right key, you try to make some phrase or sound that will fit."

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Amber Hurdle

"I can't play my songs on the smaller harp. I have a Celtic harp. I can't do the key changes."

Explore more quotes by Jim Henson

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Jim Henson
"Yeah, I think we did the term Muppets before we got the show Sam and Friends - a few months after I started working."
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Jim Henson
"NBC was trying to convert all of their local programming to color right away to encourage the sale of the sets, so I barely remember working in black and white, although I do know that I did do it, but there was not a major difference, though."
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Jim Henson
"Somebody like a Piggy or a Kermit, there needs to be several versions and so there will be several of them."
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Jim Henson
"Actually the copies of characters is something I don't particularly like to talk about in articles but just for your information, most characters there's only one."
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Jim Henson
"But with The Dark Crystal, instead of puppetry we're trying to go toward a sense of realism - toward a reality of creatures that are actually alive and we're mixing up puppetry and all kinds of other techniques."
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Jim Henson
"When I was a kid, I never saw a puppet show. I never played with puppets or had any interest in them."
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Jim Henson
"I've never felt any sense of competition with anybody, and we're all friends; we're all good friends."
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Jim Henson
"No, there's not much competition between puppeteers in general because everybody's working their own style."
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Jim Henson
"It has always been difficult to get Big Bird to be very pretty. Big Bird in England is much more gorgeous."
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Jim Henson
"You're assisting the audience to understand; you're giving them a bridge or an access. And if you don't give them that, if you keep it more abstract, it's almost more pure. It's a cooler thing."
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