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Jim Henson

"Well, Detroit Institute is kind of a key - probably the largest permanent collection of puppets in the US."

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"Well, Detroit Institute is kind of a key - probably the largest permanent collection of puppets in the US."

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Asa Don Brown

"I think he came to the front door and rang the bell, and Maggie let him in, and he said he had forgotten his key; so I think she must have been down stairs."

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Asa Don Brown

"The traditions of a nation are very important and the anthem written by Francis Scott Key in the early days of our nation should always be revered."

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Asa Don Brown

"What's happened is that an incessant, an insidious insurgency has repeatedly attacked the key infrastructure targets, reducing outputs."

Key,
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Asa Don Brown

"I favor strategies that encourage industry to include some sort of key recovery capability in their systems which would also address user requirements for access."

Key,
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Asa Don Brown

"If you feel you have the right key, you try to make some phrase or sound that will fit."

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Asa Don Brown

"Suprisingly, one of the most complex pieces of code is the code to determine where a note is in the staff. Finale stores notes as relative scale positions in the current key."

Key,
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Asa Don Brown

"There was a subtlety about Peggy Lee. It was powerful. There was a valuable use of space. Everything was not cluttered. Her voice was out front and was the key instrument."

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Asa Don Brown

"It's all about the script. Reality is key to me and less cutesy."

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Asa Don Brown

"But actually just yesterday we raised the key of one of my songs two steps up, so my voice is obviously responding. It's a muscle, and the more you use it, the more you use it right, the more you should get out of it. So yes, I sing."

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Asa Don Brown

"I'm not altogether sure what I'm going to do for that. I think it will be a lot more low key than the other two I've done. Dare I say it, a bit more relaxing."

Explore more quotes by Jim Henson

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Jim Henson
"I think my own strengths are in television production."
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Jim Henson
"We thought it would be fun to try to design a show that would work well internationally and so that' s what we're intending to do with Fraggle Rock, and we are indeed now selling it around the world."
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Jim Henson
"If you're doing a large, complicated character with radio controls, it might take a number of people several months to make it and if you're talking about a quick little hand puppet, it could be made in 2 days, so there's enormous range there, and no real easy generalities."
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Jim Henson
"Actually the copies of characters is something I don't particularly like to talk about in articles but just for your information, most characters there's only one."
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Jim Henson
"When The Muppet Show ended, we all sat around and said, what kind of television show would we like to do. We felt the need these days are for some quality children's programming."
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Jim Henson
"Yeah, we pretty much had a form and a shape by that time - a style - and I think one of the advantages of not having any relationship to any other puppeteer was that it gave me a reason to put those together myself for the needs of television."
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Jim Henson
"If anything, there's a difference in working with color in England and the color in the US."
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Jim Henson
"You're assisting the audience to understand; you're giving them a bridge or an access. And if you don't give them that, if you keep it more abstract, it's almost more pure. It's a cooler thing."
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Jim Henson
"It has always been difficult to get Big Bird to be very pretty. Big Bird in England is much more gorgeous."
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Jim Henson
"I was very interested in theatre, mostly in stage design. I did a little bit of acting."
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