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Jim Henson

"Well, Detroit Institute is kind of a key - probably the largest permanent collection of puppets in the US."

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"Well, Detroit Institute is kind of a key - probably the largest permanent collection of puppets in the US."

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Akiroq Brost

"The moment I saw the model and heard about the complementing base pairs I realized that it was the key to understanding all the problems in biology we had found intractable - it was the birth of molecular biology."

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Akiroq Brost

"I favor strategies that encourage industry to include some sort of key recovery capability in their systems which would also address user requirements for access."

Key,
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Akiroq Brost

"To remain relevant though, I think making great records is the key."

Key,
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Akiroq Brost

"And that's what I've learned too: writing is key."

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Akiroq Brost

"The word spiritual, not the word religious, is the key."

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Akiroq Brost

"We can even sing off key, but if it's produced properly it can be a hit."

Key,
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Akiroq Brost

"I can't play my songs on the smaller harp. I have a Celtic harp. I can't do the key changes."

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Akiroq Brost

"If you feel you have the right key, you try to make some phrase or sound that will fit."

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Akiroq Brost

"The key word about The West Wing is show. It is not a reality show. It has nothing to do with reality."

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Akiroq Brost

"The key is to keep improving. I'm not there yet. I know I have to keep trying to improve and keep trying to get faster."

Explore more quotes by Jim Henson

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Jim Henson
"If you're doing a large, complicated character with radio controls, it might take a number of people several months to make it and if you're talking about a quick little hand puppet, it could be made in 2 days, so there's enormous range there, and no real easy generalities."
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Jim Henson
"But with The Dark Crystal, instead of puppetry we're trying to go toward a sense of realism - toward a reality of creatures that are actually alive and we're mixing up puppetry and all kinds of other techniques."
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Jim Henson
"Yeah, well when I first started working, it was $5 a show; it was probably a little higher by the time I got to my own show, but I remember that they put me under contract at $100 a week, which to me was really an astronomical price."
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Jim Henson
"Somebody like a Piggy or a Kermit, there needs to be several versions and so there will be several of them."
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Jim Henson
"Actually the copies of characters is something I don't particularly like to talk about in articles but just for your information, most characters there's only one."
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Jim Henson
"I do remember doing shows strictly in black and white, too, so you're right."
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Jim Henson
"There was a little afternoon show that was called Afternoon. Back in those days in television, most local stations had a midday show for housewives that had a series of things. It was like a variety show for midday."
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Jim Henson
"When I was a kid, I never saw a puppet show. I never played with puppets or had any interest in them."
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Jim Henson
"We thought it would be fun to try to design a show that would work well internationally and so that' s what we're intending to do with Fraggle Rock, and we are indeed now selling it around the world."
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Jim Henson
"Yeah, I think we did the term Muppets before we got the show Sam and Friends - a few months after I started working."
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