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"At the art college in Edinburgh someone arranged for some London groups to come up and play. I was in a supporting band, with Bernie Green I think. Derek Bailey was one of the visiting musicians. He seemed to like my playing and asked me to come down to London."
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"There wasn't much work around at the time, I think I found a bit in Germany or something, but we played together and somehow the bassist Laurie Baker got involved as well - I can't remember exactly how."
Work
"Allan had come down wanting to do some sort of crucial music and I'd been involved in so-called Art Music and wanted to explore other areas - we were approaching it in some quite tongue-in-cheek ways and we had a lot of fun - we spent more time laughing than playing music."
Art
"The first time it felt really dangerous, like the sort of thing you had to lock the doors and close the curtains on because if anybody saw you, God would strike you down with a thunderbolt. But I took to it like a duck to water."
Time
"He was very much concerned with logic and function, he always worked his solos out before playing them."
Logic
"At the art college in Edinburgh someone arranged for some London groups to come up and play. I was in a supporting band, with Bernie Green I think. Derek Bailey was one of the visiting musicians. He seemed to like my playing and asked me to come down to London."
Art
"I was a beginner again. I practiced hard and used to listen very closely to recordings of American jazz drummers such as Tony Williams and Kenny Clarke."
American
"Touring with King Crimson wasn't a lot of fun for me. I had a lot of equipment, and when I was in improvised music I'd set it up myself, play the gig, and put it all away again."
Music
"King Crimson were the only really famous band I'd been in."
Famous
"Anyway, it fell through because they ran out of money. That was when I learned not to waste your time getting your hopes up or to believe something until it actually happens. We broke up for various reasons, but it was a good band. Jim and Don produced some magical music."
Music
"The reasons why I left were to do with my interest in Buddhism. There were experiences over a period of about six months which caused me to decide to give up music, so one morning I felt I had to go to E.G. Management and tell them."
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"Always seek beauty to create a beautiful life."
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Personal Development
"For a poet he threw a very accurate milk bottle."
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Personal Development
"I'm trying in all my stories to get the feeling of the actual life across-not to just depict life-or criticize it-but to actually make it alive. So that when you have read something by me you actually experience the thing. You can't do this without putting in the bad and the ugly as well as what is beautiful. Because if it is all beautiful you can't believe in it. Things aren't that way."
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Personal Development
"Of an artistic temperament, I deny that I am; yet I must possess something of the artist's faculty of making the most of present pleasure."
Author Name
Personal Development
"Make movies my friend " make nice, inspiring and bold movies that will penetrate the darkest corners of the human mind and illuminate the soul."
Author Name
Personal Development
"Music is breath of life."
Author Name
Personal Development
"My poems are only bits of scratchingon the floor of acage."
Author Name
Personal Development
"A short story is the ultimate close-up magic trick -- a couple of thousand words to take you around the universe or break your heart."
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Personal Development
"For poetry was all written before time was, and whenever we are so finely organized that we can penetrate into that region where the air is music, we hear those primal warblings and attempt to write them down, but we lose ever and anon a word or a verse and substitute something of our own, and thus miswrite the poem. The men of more delicate ear write down these cadences more faithfully, and these transcripts, though imperfect, become the songs of the nations."
Author Name
Personal Development
"Music gives life to the soul."
Author Name
Personal Development
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