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Louise Penny

"Grief was dagger-shaped and sharp and pointed inward. It was made of fresh loss and old sorrow. Rendered and forged and sometimes polished. Irene Finney had taken her daughter's death and to that sorrow she'd added a long life of entitlement and disappointment, of privilege and pride. And the dagger she'd fashioned was taking a brief break from slashing her insides, and was now pointed outward."

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"Grief was dagger-shaped and sharp and pointed inward. It was made of fresh loss and old sorrow. Rendered and forged and sometimes polished. Irene Finney had taken her daughter's death and to that sorrow she'd added a long life of entitlement and disappointment, of privilege and pride. And the dagger she'd fashioned was taking a brief break from slashing her insides, and was now pointed outward."

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Amber Hurdle

"Have you ever walked along a beach? You walk towards something in the distance. For the longest while it never seems to get any closer even though you are walking and walking. Then all of a sudden, you are there. You've arrived at last. That's what grief is like. Meanwhile we are running with you in the spray of the surf at the edge of the shore where the sand meets the sea. We are cheering you on."

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Amber Hurdle

"She looked into the mirror, wiping the mascara that was running down her cheeks with her tears and she saw him standing behind her. With that smile he always had. She touched his reflection and turned around to hug him just to see no one there. She turned back around and looked at the mirror, there he was still standing with that smile. She fell on her knees and said in a feeble voice "come back"."

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Amber Hurdle

"The sorrow for the dead is the only sorrow from which we refuse to be divorced. Every other wound we seek to heal - every other affliction to forget: but this wound we consider it a duty to keep open - this affliction we cherish and brood over in solitude."

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Amber Hurdle

"The natural effect of sorrow over the dead is to refine and elevate the mind."

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Amber Hurdle

"He'd lived long enough to know that everyone handled grief in different ways, and little by little, they all seemed to accept their new lives."

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Amber Hurdle

"She was overstrained with grief and loneliness: almost any shoulder would have done as well."

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Amber Hurdle

"There is a kind of euphoria of grief, a degree of madness."

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Amber Hurdle

"What is deservedly suffered must be borne with calmness, but when the pain is unmerited, the grief is resistless."

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Amber Hurdle

"As an individual, you are entitled to your time of grief, process of grief, and right to grieve."

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Amber Hurdle

"God wasn't love, couldn't be love. Because for me, love was a corpse."

Explore more quotes by Louise Penny

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Louise Penny
"He'd shoved his toque and mitts into the sleeve of his parka when he'd come in the night before, and now, thrusting his right arm into the armhole, he hit the blockage. At a practiced shove the pompom of the toque crowned the cuff followed by his mitts, like a tiny birth."
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Louise Penny
"Why did he kill his own mother?' Ruth asked.'The oldest story in the book,' said Gamache.'Ben was a male prostitute?' Gabri exclaimed.'That's the oldest profession. Where do you keep your head?' asked Ruth. 'Never mind, don't answer that."
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Louise Penny
"The fault lies with us, and only us. It's not fate, not genetics, not bad luck, and it's definitely not Mom and Dad. Ultimately it's us and our choices...but the most powerful spectacular thing is that the solution rests with us as well."
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Louise Penny
"The most devastating thing Finney could have said. Not that Peter was hated by his father. But that he'd been loved all along. He'd interpreted kindness as cruelty, generosity as meanness, support as tethers. How horrible to have been offered love, and to have chosen hate instead. He'd turned heaven into hell."
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Louise Penny
"Wait, Armand, he heard behind him but kept walking, ignoring the calls. Then he remembered what Emile had meant to him and still did. Did this one bad thing wipe everything else out?That was the danger. Not that betrayals happened, not that cruel things happened, but that they could outweigh all the good. That we could forget the good and only remember the bad.But not today. Gamache stopped."
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Louise Penny
"Gamache watched the old poet. He knew what was looming behind the Mountain. What crushed all before it. The thing the Hermit most feared. The Mountain most feared.Conscience....Which is why, Gamache knew, it was vital to be aware of actions in the present. Because the present became the past, and the past grew. And got up, and followed you.And found you ...Who wouldn't be afraid of this?"
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Louise Penny
"That was why she was happy. He now knew that happiness ad kindness went together. There was not one without the other. For Jean-Guy it was a struggle. For Annie it seemed natural."
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Louise Penny
"Nice hair.' Olivier turned to Clara, hoping to break the tension.'Thank you.' Clara ran her hands through it, making it stand on end as though she'd just had a scare.'You're right.' Olivier turned to Myrna. 'She looks like a frightened doughboy from the trenches of Vimy. Not many people could carry off that look. Very bold, very new millennium. I salute you.'Clara narrowed her eyes and glared at Myrna whose smile went from ear to ear."
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Louise Penny
"She strong-armed the swinging door and walked through. Straight into an acid flashback.Clara's first reaction was to laugh. She stood stunned for a moment then started to laugh. And laugh. And laugh until she thought she'd piddle. Peter was soon infected and began laughing. And Gamache, who up until this moment had only seen a travesty, smiled, then chuckled, then laughed and within moments was laughing so hard he had to wipe away tears.'Holy horrible taste, Batman,' said Clara to Peter who doubled over, laughing some more.'Solid, man, solid,' he gasped and managed to raise a peace sign before having to put both hands on his knees to support his heaving body."
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Louise Penny
"He had his treasure, but finally all he wanted was his family. And peace."
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