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Carlos Ruiz Zafon

"I was raised among books, making invisible friends in pages that seemed cast from dust and whose smell I carry on my hands to this day."

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"I was raised among books, making invisible friends in pages that seemed cast from dust and whose smell I carry on my hands to this day."

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Akiroq Brost

"The magic and the danger of fiction is this: it allows us to see through other eyes. It takes us to places we have never been, allows us to care about, worry about, laugh with, and cry for people who do not, outside of the story, exist. There are people who think that things that happen in fiction do not really happen. These people are wrong."

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Akiroq Brost

"Alexander the Great slept with 'The Iliad' beneath his pillow. Though I've never led an army, I am a wanderer. I cradle 'The Odyssey' nights while the moon is waning, as if it were the sweet body of a woman."

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Akiroq Brost

"In reading we have to allow the sunken meanings to remain sunken, suggested, not stated; lapsing and flowing into each other like reeds on the bed of a river."

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Akiroq Brost

"The composition of Shakespeare is a forest, in which oaks extend in the air, interspersed sometimes with weeds and brambles, and sometimes giving shelting to myrtles and to roses; filling the eye with awful pomp, and gratifying the mind with endless diversity."

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Akiroq Brost

"Anon, who wrote so many poems without signing them, was often a woman."

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Akiroq Brost

"The things you were talking about. The lights and the flowers. Do they expect those things to make them romantic, not the other way around? "Darling, what do you mean? "There wasn't a person there who enjoyed it," she said, her voice lifeless, "or who thought or felt anything at all. They moved about, and they said the same dull things they say anywhere. I suppose they thought the lights would make it brilliant."Darling, you take everything too seriously. One is not supposed to be intellectual at a ball. One is simply supposed to be gay." How? By being stupid?"

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Akiroq Brost

"A prose that is altogether alive demands something of the reader that the ordinary novel reader is not prepared to give."

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Akiroq Brost

"The best of fiction, as we know, of course, doesn't tell the truth; it tales the truth."

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Akiroq Brost

"Real life, life finally uncovered and clarified, the only life in consequence lived to the full, is literature. Life in this sense dwells within all ordinary people as much as the artist. But they do not see it because they are not trying to shed light on it."

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Akiroq Brost

"There are books that speak to us of our own lives with a clarity we cannot match. They prevent the morose suspicion that we do not fully belong to the species, that we lie beyond comprehension. Our embarrassments, our sulks, our envy, our feelings of guilt, these phenomena are conveyed in Austen in a way that affords us bursts of almost magical self-recognition. The author has located words to depict a situation we thought ourselves alone in feeling, and for a few moments, we see ourselves more clearly and wish to become whom the author would have wanted us to be."

Explore more quotes by Carlos Ruiz Zafon

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Carlos Ruiz Zafon
"Max had once read in one of his father's books that some childhood images become engraved in the mind like photographs, like scenes you can return to again and again and will always remember, no matter how much time goes by."
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Carlos Ruiz Zafon
"Human beings believe just as they breathe - in order to survive."
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Carlos Ruiz Zafon
"He lay awake, dreading the dawn when he would have to say good-bye to the small universe he had built for himself over the years."
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Carlos Ruiz Zafon
"Every piece of that marvelous world was a silent tear."
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Carlos Ruiz Zafon
"All business opportunities stem from someone else's inability to resolve a simple and inevitable problem."
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Carlos Ruiz Zafon
"Never trust he who trusts everyone."
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Carlos Ruiz Zafon
"Jacinta never told Penelope that she loved her. The nurse knew that those who really love, love in silence, with deeds and not with words."
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Carlos Ruiz Zafon
"In the haunted shade of the Ateneo, her hands wrote a curse on my skin that was to hound me for years."
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Carlos Ruiz Zafon
"As it unfolded, the structure of the story began to remind me of one of those Russian dolls that contain innumerable ever-smaller dolls within. Step by step the narrative split into a thousand stories, as if it had entered a gallery of mirrors, its identity fragmented into endless reflections."
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Carlos Ruiz Zafon
"Nothing important is learned, it is simply remembered."
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