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Rod Steiger

"I made a big mistake with him the first day I shot. We're shooting the scene where I come back from the party, the dance, in the sleigh with Julie Christie and we turn the corner and go past the camera and the camera follows us just a little bit and we disappear."

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"I made a big mistake with him the first day I shot. We're shooting the scene where I come back from the party, the dance, in the sleigh with Julie Christie and we turn the corner and go past the camera and the camera follows us just a little bit and we disappear."

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Amber Hurdle

"So many times it seemed like there were chances to stop things before they started. Or even stop them in midstream. But it was even worse when you knew in that very moment that there was still time to save yourself, and yet you couldn't even budge."

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Amber Hurdle

"The greatest of faults, I should say, is to be conscious of none."

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Amber Hurdle

"It is another's fault if he be ungrateful, but it is mine if I do not give. To find one thankful man, I will oblige a great many that are not so."

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Amber Hurdle

"It is the folly of too many to mistake the echo of a London coffee-house for the voice of the kingdom."

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Amber Hurdle

"Any man can make mistakes, but only an idiot persists in his error."

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Amber Hurdle

"We all make mistakes, but one of our biggest mistakes is continually revisiting the past."

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Amber Hurdle

"It is a mistake to think you can solve any major problems just with potatoes."

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Amber Hurdle

"Don't be defeatist due to the mistakes you make. Mistakes are inevitable part of growth."

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Amber Hurdle

"Mistrust of good success hath done this deed.O hateful error, Melancholy's child,Why dost thou show to the apt thoughts of menThe things that are not? O Error, soon concieved,Thou never com'st unto a happy birth,But kill'st the mother that engendered thee."

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Amber Hurdle

"I made a lot of mistakes, one of them was to promise. I must stop promise, the promise is like something which you in everytime in any case you must do what you said you will do! - That's why I hate it!"

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Rod Steiger
"Now that was one thing, but from an actor's point of view, this poor young man, crying from the moment I opened the door to the moment he left. Now if an actor did that they would say he's over-acting."
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Rod Steiger
"I didn't ever think of it as a social thing at the time. I took it as a good story. Maybe because I've always been kind of progressive so I never thought of it, you know."
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Rod Steiger
"That's not a villain, that's a man whose a victim of being in love with the wrong one."
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Rod Steiger
"And the reason I really appreciated this is because after the picture came out, I was invited by the American Psychiatric Association to give a lecture. I couldn't believe it!"
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Rod Steiger
"If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?"
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Rod Steiger
"Only after awhile. After it came out and people began to engage in discussions about the social reflections of the film that I realized it had an importance I hadn't thought of."
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Rod Steiger
"I had read the novel and I had heard David Lean was going to direct it - and it came as a surprise to me because American actors, if given the chance, can do style as well as anybody and speak as well as anybody."
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Rod Steiger
"I made a big mistake with him the first day I shot. We're shooting the scene where I come back from the party, the dance, in the sleigh with Julie Christie and we turn the corner and go past the camera and the camera follows us just a little bit and we disappear."
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Rod Steiger
"Is this a proposal? I'm married now, you know."
Now,
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Rod Steiger
"And I'm supposed to grab her and kiss her and she's supposed to react. Well, what happened was, Julie was very nervous at that time, given this incredible part which she did beautifully."
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