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Leo Kottke

"I think that open tunings are a trap really because it's really hard not to sound like an open tuning when your using one and that gets old as well as what you learn in one open tuning is going to stay there."

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"I think that open tunings are a trap really because it's really hard not to sound like an open tuning when your using one and that gets old as well as what you learn in one open tuning is going to stay there."

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Amber Hurdle

"To think, when one is no longer young, when one is not yet old, that one is no longer young, that one is not yet old, that is perhaps something."

Old,
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Amber Hurdle

"Asia is not going to be civilized after the methods of the West. There is too much Asia and she is too old."

Old,
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Amber Hurdle

"The best part is still ahead of me - I haven't experienced my 'good old days' yet."

Old,
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Amber Hurdle

"I'd like to grow very old as slowly as possible."

Old,
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Amber Hurdle

"I have some of the old videos of my performances on it."

Old,
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Amber Hurdle

"Very interesting for an old duffer like me to try his hand at something new. If I don't do that once in a while, I might just turn into a fossil, you know!"

Old,
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Amber Hurdle

"To be seventy years young is sometimes for more cheerful and hopeful than to be forty years old."

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Amber Hurdle

"Writers tell stories better, because they've had more practice, but everyone has a book in them. Yes, that old cliche."

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Amber Hurdle

"Twenty-three is old. It's almost 25, which is like almost mid-20s."

Old,
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Amber Hurdle

"It couldn't have happened anywhere but in little old New York."

Old,

Explore more quotes by Leo Kottke

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Leo Kottke
"It was almost two years after I left Capital that I put out the first one on Chrysalis and that was really instructive because it was no better in particular than any other record I'd done."
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Leo Kottke
"I was required by Capital to release one every six months and the fastest I could do with all my touring was every nine months, and it would spook me every time because I never had what I needed and I really didn't want to do covers."
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Leo Kottke
"That was when I found out that you could talk to them and it was a whole other way to blow your stack, and it's so much fun to perform that you want to do it again and the more you get out of it the better."
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Leo Kottke
"It's true that the more you put in the more you get out and that has to be there I think, If you aren't really hooked on your instrument this job would be a hell on earth but if you are, it's the best."
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Leo Kottke
"We had a day off here yesterday and I just sat in my room and played."
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Leo Kottke
"You can't really tell what the audience wants but you can tell what will keep everybodies attention in the same place."
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Leo Kottke
"The principle element in a performance is risk, and if you're losing interest then by scaring yourself to death the audience will feel it and boy it'll wake them up."
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Leo Kottke
"When a record company looks at me I'm very hard to market, I don't really fit anywhere, It's hard to get me on the air, and I'm hard to demography, but! because of that I'm not subject to trends like you pointed out."
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Leo Kottke
"It depends on the time of the year and who I've been talking to, I try to put people in the studio I like."
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Leo Kottke
"It is not a mystical thing, however, it is obvious and practical and I think that what the performer does is to try to get to that point with every choice you make from the phrasing in a tune to the choice of tunes."
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