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"Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of the two countries, dressed in bathing-drawers and armed with clubs, can have it out on themselves. Whoever survives the country wins. That would be much simpler and more than just this arrangement, where the wrong people do the fighting."
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"I have found, in short, from reading my own writing, that my subject in fiction is the action of grace in territory largely held by the devil.I have also found that what I write is read by an audience which puts little stock either in grace or the devil. You discover your audience at the same time and in the same way that you discover your subject, but it is an added blow."

"Now is not the time for bigots and racists. No time for sexists and homophobes. Now, more than ever, is the time for ARTISTS. It's time for us to rise above and to create. To show humanity. To spread hope. We must prevent society from destroying itself, from losing its way. Now is the time for love."

"Generally, people who are good at writing letters have no need to write letters. They've got plenty of life to lead inside their own context."

"You know you're writing well when you're throwing good stuff into the wastebasket."

"As I suspect is true of many who write for a living, as I write I think about all sorts of things. I don't necessarily write down what I'm thinking; it's just that as I write I think about things. As I write, I arrange my thoughts. And rewriting and revising takes my thinking down even deeper paths."

"The role of a writer is not to say what we all can say, but what we are unable to say."

"I like music," she said slowly, "because when I hear it, I . . . I lose myself within myself, if that makes any sense. I become empty and full all at once, and I can feel the whole earth roiling around me. When I play. I'm not . . . for once, I'm not destroying, I'm creating."

"Never to rush something I was creating, but instead let it come into being as if it had a soul of it's own."

"A poet is someone who never forgets they were born naked."

"For art to exist, for any sort of aesthetic activity or perception to exist, a certain physiological precondition is indispensable: intoxication."
Explore more quotes by Erich Maria Remarque

"I am often on guard over the Russians. In the darkness one sees their forms move like stick storks, like great birds. They come close up to the wire fence and lean their faces against it. Their fingers hook round the mesh."

"The crowd, still shouting, gives way before us. We plough our way through. Women hold their aprons over their faces and go stumbling away. A roar of fury goes up. A wounded man is being carried off."

"We developed a firm, practical feeling of solidarity, which grew, on the battlefield, into the best thing that the war produced - comradeship in arms."

"We don't act like that because we are in good humor we are in a good humor because otherwise we should go to pieces."

"And be very careful at the front, Paul.Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are!"

"This book is to be neither an accusation nor a confession, and least of all an adventure, for death is not an adventure to those who stand face to face with it. It will try simply to tell of a generation of men who, even though they may have escaped shells, were destroyed by the war."

"Petnaest srećnih godina su kratke - odgovorih. Petnaest nesrećnih godina su duge i pružaju čoveku mnogo iskustva."

"I glance at my boots. They are big and clumsy, the breeches are tucked into them, and standing up one looks well-built and powerful in those great drainpipes. But when we go bathing and strip, suddenly we have slender legs again and slight shoulders. We are no longer soldiers but little more than boys; no one would believe that we could carry packs. It is a strange moment when we stand naked; then we become civilians, and almost feel ourselves to be so. When bathing Franz Kemmerich looked as slight and frail as a child. There he lies now - buy why? The whole world ought to pass by this bed and say: 'That is Franz Kemmerich, nineteen and a half years old, he doesn't want to die. Let him not die!"
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