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Diana Gabaldon

"Reading is of course dry work, and further refreshment was called for and consumed."

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"Reading is of course dry work, and further refreshment was called for and consumed."

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Amber Hurdle

"You can't live on amusement. It is the froth on water - an inch deep and then the mud."

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Amber Hurdle

"The act of fishing " for fish, dreams or whatever magic is available " is enough."

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Amber Hurdle

"Before I shall have become a man again I shall probably exist as a park, a sort of natural park in which people come to rest, to while away the time. What they say or do will be of little matter, for they will bring only their fatigue, their boredom, their hopelessness."

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Amber Hurdle

"In my afternoon walk I would fain forget all my morning occupations and my obligations to society."

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Amber Hurdle

"If there is such a thing as a workaholic, I'm it, and that's what passes for leisure."

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Amber Hurdle

"I remember in that red leisure suit I sort of felt like a Pizza Hut employee, and the white one was the ultimate, with the white turtleneck collar, that was the ultimate in bad taste."

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Amber Hurdle

"It is in his pleasure that a man really lives; it is from his leisure that he constructs the true fabric of self."

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Amber Hurdle

"Elend: I kind of lost track of time. Breeze: For two hours? Elend: There were books involved."

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Amber Hurdle

"The Wild Wood is pretty well populated by now; with all the usual lot, good, bad, and indifferent - I name no names. It takes all sorts to make a world."

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Amber Hurdle

"They talk of the dignity of work. The dignity is in leisure."

Explore more quotes by Diana Gabaldon

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Diana Gabaldon
"At the best of times, Father Bain's face resembled a clenched fist."
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Diana Gabaldon
"Brave' covers everything from complete insanity and bloody disregard of other people's lives - generals tend to go in for that sort - to drunkenness, foolhardiness, and outright idiocy - to the sort of thing that will make a man sweat and tremble and throw up . . . and go and do what he thinks he has to do anyway."
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Diana Gabaldon
"You're beautiful to me, Jamie, I said softly, at last. "So beautiful, you break my heart."
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Diana Gabaldon
"One of the general patterns of good (i.e., striking and memorable) writing is the effect of repetition. If you use a certain element-a plot device, an image, a noticeable phrase-once, readers may or may not notice it consciously, but it doesn't disturb the flow of their reading. If you use that element twice, they won't notice it consciously-but they will notice it subconsciously, and it will add to the resonance of the writing or to their sense of depth and involvement (and if it's a plot device, it will heighten the dramatic tension). But if you use that element three times, everybody will notice it the third time you do it."
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Diana Gabaldon
"Jamie's viewpoint is expressed almost entirely in metaphor: If she was broken, she would slash him with her jagged edges, reckless as a drunkard with a shattered bottle. He's using physical language, but he isn't talking about the physical details of the situation. Claire alludes to her emotion and shows it by her actions, but Jamie is thinking directly in pure emotions."
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Diana Gabaldon
"I put back my head, looking up at the deep black sky swimming with hot stars. If you knew they were really balls of flaming gas, you could imagine them as Van Gogh saw them, without difficulty . . . and looking into that illuminated void, you understood why people have always looked up into the sky when talking to God. You need to feel the immensity of something very much bigger than yourself, and there it is - immeasurably vast, and always near at hand. Covering you."
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Diana Gabaldon
"After all, I thought, what were days and weeks in the presence of eternity?"
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Diana Gabaldon
"Time does not really exist for mothers, with regard to their children. It does not matter greatly how old the child is-in the blink of an eye, a mother can see the child again as they were when they were born, when they learned how to walk, as they were at any age-at any time, even when the child is fully grown or a parent themselves."
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Diana Gabaldon
"For the moment, everything had disappeared: the church, the battle, the screams and shouts and the rumble of limber wheels along the rutted road through Freehold. There wasn't anything but her and him, and he opened his eyes to look on her face, to fix it in his mind forever."
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Diana Gabaldon
"The law's a necessary evil--we canna be doing without it--but do ye not think it a poor substitute for conscience?"
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