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"Well, the oil, the oil spot, if you will, is a, is a term in counterinsurgency literature that connotes a peaceful area, secure area. So what you're trying to do is to always extend that, to push that out."
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"The magic and the danger of fiction is this: it allows us to see through other eyes. It takes us to places we have never been, allows us to care about, worry about, laugh with, and cry for people who do not, outside of the story, exist. There are people who think that things that happen in fiction do not really happen. These people are wrong."
"Alexander the Great slept with 'The Iliad' beneath his pillow. Though I've never led an army, I am a wanderer. I cradle 'The Odyssey' nights while the moon is waning, as if it were the sweet body of a woman."
"The things you were talking about. The lights and the flowers. Do they expect those things to make them romantic, not the other way around? "Darling, what do you mean? "There wasn't a person there who enjoyed it," she said, her voice lifeless, "or who thought or felt anything at all. They moved about, and they said the same dull things they say anywhere. I suppose they thought the lights would make it brilliant."Darling, you take everything too seriously. One is not supposed to be intellectual at a ball. One is simply supposed to be gay." How? By being stupid?"
"A prose that is altogether alive demands something of the reader that the ordinary novel reader is not prepared to give."
"The best of fiction, as we know, of course, doesn't tell the truth; it tales the truth."
"Real life, life finally uncovered and clarified, the only life in consequence lived to the full, is literature. Life in this sense dwells within all ordinary people as much as the artist. But they do not see it because they are not trying to shed light on it."
"There are books that speak to us of our own lives with a clarity we cannot match. They prevent the morose suspicion that we do not fully belong to the species, that we lie beyond comprehension. Our embarrassments, our sulks, our envy, our feelings of guilt, these phenomena are conveyed in Austen in a way that affords us bursts of almost magical self-recognition. The author has located words to depict a situation we thought ourselves alone in feeling, and for a few moments, we see ourselves more clearly and wish to become whom the author would have wanted us to be."
"You forget everything. The hours slip by. You travel in your chair through centuries you seem seem to see before you, your thoughts are caught up in the story, dallying with the details or following the course of the plot, you enter into characters, so that it seems as if it were your own heart beating beneath their costumes."
"The irrational in the human has something about it altogether repulsive and terrible, as we see in the maniac, the miser, the drunkard or the ape."
"When a writer doesn't show his face, he becomes a local symptom of God's famous reluctance to appear."
Explore more quotes by David Petraeus
"The progress in Iraq is still fragile. And it could still be reversed. Iraq still faces innumerable challenges, and they will be evident during what will likely be a difficult process as the newly elected Council of Representatives selects the next prime minister, president, and speaker of the council."
"If you don't want to have to kill or capture every bad guy in the country, you have to reintegrate those who are willing to be reconciled and become part of the solution instead of a continued part of the problem."
"But clearly, this is what this is about. It's about pushing the security bubble out. It's about rooting out every last guy, so that there's not even somebody who can fire a single, solitary RPG round from some little qalat out here."
"Well, the oil, the oil spot, if you will, is a, is a term in counterinsurgency literature that connotes a peaceful area, secure area. So what you're trying to do is to always extend that, to push that out."
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