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"Can anybody be given a great degree of creativity? No. They can be given the equipment to develop it-if they have it in them in the first place."
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"We are all artists, painting the world with our thoughts while coloring the universe with our deeds."

"My pond life with hydra is over, now I'm into the ocean world of poetry to dive deeper.."

"I don't think anybody can teach anybody anything. I think that you learn it, but the young writer that is as I say demon-driven and wants to learn and has got to write, he don't know why, he will learn from almost any source that he finds. He will learn from older people who are not writers, he will learn from writers, but he learns it -- you can't teach it."

"What may be myth in one world may always be fact in some other."

"One's writing is good only when the intelligence and the imagination are in equilibrium. As soon as one of them overbalances the other, it's all up; you may as well throw it away and begin afresh."

"Mankind is not a circle with a single center but an ellipse with two focal points of which facts are one and ideas the other."

"You would be amazed by how I can torture the English language. I am an abusive lover."

"Poets do not go mad; but chess-players do. Mathematicians go mad, and cashiers; but creative artists very seldom. I am not, as will be seen, in any sense attacking logic: I only say that this danger does lie in logic, not in imagination."
Explore more quotes by George Shearing

"All my musical foundations go back to the age of 3. My family tell me that I used to listen to the old crystal set, then go to the piano and pick out the tune that I just heard."

"Perfect retention. I don't think I could do that-I've never disciplined myself to do it.I suppose a lot of it is a question of discipline. Which improvisation is not."

"I haven't written an awful lot recently, but I think I probably will start again very shortly. Being so much on the road, when you have a couple of weeks off, you're likely to avoid sitting at the piano, and taping, and giving yourself more work to do."

"The way it works: The orchestra plays a few selections of its own and I terminate the first part of the programme on piano, usually with a movement from a Mozart concerto."

"I was born in London in 1919. I first went to America in 1946 for a three-month holiday. Then I came back, worked here for almost a year sold up my home and went back on immigration in 1947."

"When Hank Jones had his night off, I would get somebody to take my place as intermission pianist and I'd play the show with Ella, so I would get a chance to play with Ray Brown and Charlie Smith as well."
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