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"The story appeared, then faded."
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"Soon I'll find the right words, they'll be very simple."
"Chekhov was capable of casually tossing off deplorable comments in his letters, combined with a very modern anger against anti-Semitism."
"The magic and the danger of fiction is this: it allows us to see through other eyes. It takes us to places we have never been, allows us to care about, worry about, laugh with, and cry for people who do not, outside of the story, exist. There are people who think that things that happen in fiction do not really happen. These people are wrong."
"I love stories that suck you in, that you can't stop reading because you are quite simply there."
"It was pretty silly quoting poetry around free and easy like that. It was the act of a silly damn snob. Give man a few lines of verse and he thinks he's the Lord of all Creation. You think you can walk on water with all your books. Well, the world can get by just fine without them."
"Alexander the Great slept with 'The Iliad' beneath his pillow. Though I've never led an army, I am a wanderer. I cradle 'The Odyssey' nights while the moon is waning, as if it were the sweet body of a woman."
"In a way, literature is true than life,' he said to himself. 'On paper, you say exactly and completely what you feel. How easy it is to break things off on paper! You hate, you shout, you kill, you commit suicide; you carry things to the very end. And that's why it's false. But it's damned satisfying. In life, you're constantly denying yourself, and others are always contradicting you. On paper, I make time stand still and I impose my convictions on the whole world; they become the only reality."
"For several years, while I searched for, found, and studied black women writers, I deliberately shut O'Connor out, feeling almost ashamed that she had reached me first. And yet, even when I no longer read her, I missed her, and realized that though the rest of America might not mind, having endured it so long, I would never be satisfied with a segregated literature. I would have to read Zora Hurston and Flannery O'Connor, Nella Larsen and Carson McCullers, Jean Toomer and William Faulkner, before I could begin to feel well read at all."
"In reading we have to allow the sunken meanings to remain sunken, suggested, not stated; lapsing and flowing into each other like reeds on the bed of a river."
Explore more quotes by Arundhati Roy
"But what was there to say?Only that there were tears. Only that Quietness and Emptiness fitted together like stacked spoons. Only that there was a snuffling in the hollows at the base of a lovely throat. Only that a hard honey-colored shoulder had a semicircle of teethmarks on it. Only that they held each other close, long after it was over. Only that what they shared that night was not happiness, but hideous grief.Only that once again they broke the Love Laws. That lay down who should be loved. And how. And how much."
"Power is fortified not just by what it destroys, but also by what it creates. Not just by what it takes, but also by what it gives. And powerlessness reaffirmed not just by the helplessness of those who have lost, but also by the gratitude of those who have (or THINK they have) gained."
"The only dream worth having, I told her, is to dream that you will live while you're alive and die only when you're dead."
"They sensed somehow that she lived in the prenumbral shadows between two worlds, just beyond the grasp of their power. That a woman that they had already damned, now had little left to lose, and could therefore be dangerous. So on the days that the radio played Ammu's songs, people avoided her, making little loops around her, because everybody agreed that it was best to just Let Her Be."
"In a determined reversal of her inherent nature, Kochu Maria now, as a policy, hardly ever believed anything that anybody said."
"Something about Tilo's new home reminded Musa of the story of Mumtaz Afzal Malik, the young taxi driver whom Amrik Singh had killed, whose body had been recovered from a field and delivered to his family with earth in his clenched fists and mustard flowers growing through his fingers. That story had always stayed with Musa — perhaps because of the way hope and grief were woven together in it, so tightly, so inextricably."
"Any government's condemnation of terrorism is only credible if it shows itself to be responsive to persistent, reasonable, closely argued, non-violent dissent. And yet, what's happening is just the opposite. The world over, non-violent resistance movements are being crushed and broken. If we do not respect and honour them, by default we privilege those who turn to violent means."
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