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"The Company of Wolves is about how society teaches young women to look at themselves, and what to be afraid of. It's about a girl learning that the world of sensuality and the unknown is not to be feared, that it's worth getting your teeth into."
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"If a moneyed man had a "corny mind, a flatterer would immediately start chasing him like a hungry hen!"

"An honest government is the childish dream of the gullible men!"

"A country where women are not free has no chance ever to be something good and respectable!"

"It is better to go near the truth and be imprisoned than to stay with the wrong and roam about freely, master Galilei. In fact, getting attached to falsity is terrible slavery, and real freedom is only next to the right."

"Cultivators of the earth are the most valuable citizens. They are the most vigorous, the most independent, the most virtuous, and they are tied to their country and wedded to its liberty and interests by the most lasting bonds."

"In individuals, insanity is rare; but in groups, parties, nations and epochs, it is the rule."

"Foulmouthed individuals seem to have their neuron systems replaced by colon structures, given that their terminology profusely consists of "sh*t and f*ck". ['Tolerance zero']"

"The walls, where there was room, were well decorated with calendars and posters showing bright, improbable girls with pumped-up breasts and no hips - blondes, brunettes and redheads, but always with this bust development, so that a visitor of another species might judge from the preoccupation of artist and audience that the seat of procreation lay in the mammaries. Alice Chicoy...who worked among the shining girls, was wide-hipped and sag-chested and she walked well back on her heels...She was not in the least jealous of the calendar girls and the Coca-Cola girls. She had never seen anyone like them, and she didn't think anyone ever had."
Explore more quotes by Neil Jordan

"I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book."

"It's the opposite journey from what I've usually done with films. I find it very easy to go from, say, a lit, pleasurable environment, like what you see outside there, to a very dark place. But the opposite journey, which is what this movie takes, is much more complicated."

"The Company of Wolves doesn't belong in any category, so it's difficult to prepare an audience for it. It's not a horror film, it's not a fantasy film, it's not a children's film - so what is it?"

"My conception of it was that in a normal film you have a story with different movements that program, develop, go a little bit off the trunk, come back, and end."

"No, I just thought of a story and wrote down what I saw. It was about two kids in Ireland who went around killing people. It was called Travelers, and it was made as an independent film."

"There's no point in making a film out of a great book. The book's already great. What's the point?"

"Why should a horror film be just a horror film? To me, The Company of Wolves is a fairy tale; it's got all those elements plus a lot more. And we know that fairy tales aren't innocent any more."
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