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"Ideas must be put to the test. That's why we make things, otherwise they would be no more than ideas. There is often a huge difference between an idea and its realisation. I've had what I thought were great ideas that just didn't work."
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"If I went to work in a factory the first thing I'd do is join a union."

"I didn't do this for the President. When I had this opportunity, not only was it work, but it was something that I could do, as an actor, for the victims and their families. Something I could give back."

"The vicious circle of life is employment."

"It is good to work for your living."

"A leader is best when people barely know he exists, not so good when people obey and acclaim him, worst when they despise him. But of a good leader, who talks little, when his work is done, his aim fulfilled, they will say, 'We did this ourselves.'"

"Hard work is what you do to make ends meet, easy work is getting others to do the hard work for you."
Explore more quotes by Andy Goldsworthy

"I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flames."

"Some of the snowballs have a kind of animal energy. Not just because of the materials inside them, but in the way that they appear caged, captured."

"My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made."

"As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the surface appearance of things. Working the surface of a stone is an attempt to understand the internal energy of the stone."

"A snowball is simple, direct and familiar to most of us. I use this simplicity as a container for feelings and ideas that function on many levels."

"The difference between a theatre with and without an audience is enormous. There is a palpable, critical energy created by the presence of the audience."

"The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it."
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