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"My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made."
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Exlpore more Nature quotes
"Flowers are the beautiful hairs of the Mother Spring! Don't pluck them!"
"Eagle's flight of loneliness soars so high Around its sigh, no more alone the sky Other birds remain away, clouds pass byBetween shrouds of life and haze sun rays die."
"The moon hung over the planet Earth, a dead thing over a dying thing."
"Nature is the guardian of Africa. While the sun lights the African sky in day time, the moon begs the world to help her lighting Africa in the night."
"Nature never deceives us; it is we who deceive ourselves."
"I went home and tried to sleep, but couldn't, so I stared up at the moon, watching how it's trailing edge faded into darkness, so close to being full, but not quite there. A pregnant moon, Grandma called it. Full almost to bursting, and ready to give birth to something unthinkable."
"The earth is grounding while the mountains, curvaceous and sweeping, offer a blanket of refuge. Their woods are abounding in camouflage as their leaves sway about in continuous, florid dance. There is an air of invulnerability that is exclusive to the woods, which is why she's most happy among them. She doesn't mind beasts as they are preferable to humans and much less threatening; beasts, you see, although dangerous, are incapable of the enmity that permeates beyond the shade of the woods."
"The earth is a great piece of stupidity."
Explore more quotes by Andy Goldsworthy
"Winter makes a bridge between one year and another and, in this case, one century and the next."
"It takes between three and six hours to make each snowball, depending on snow quality. Wet snow is quick to work with but also quick to thaw, which can lead to a tense journey to the cold store."
"As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the surface appearance of things. Working the surface of a stone is an attempt to understand the internal energy of the stone."
"I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flames."
"People do not realise that many of my works are done in urban places. I was brought up on the edge of Leeds, five miles from the city centre-on one side were fields and on the other, the city."
"The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it."
"I have worked with this red all over the world - in Japan, California, France, Britain, Australia - a vein running round the earth. It has taught me about the flow, energy and life that connects one place with another."
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