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John Dykstra

"I had done a lot of rock 'n' roll photography when I was in college. I was one of many photographers who worked for The Doors, Jefferson Airplane, and all of these rock 'n' roll bands."

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"I had done a lot of rock 'n' roll photography when I was in college. I was one of many photographers who worked for The Doors, Jefferson Airplane, and all of these rock 'n' roll bands."

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Amber Hurdle

"You know, I come from six generations of college graduates."

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Amber Hurdle

"I never took my SAT's. I never applied to college. I moved right out here and jumped into the thick of things. Whether that was the smart move or not, I'm sitting here talking to you now, so it paid off."

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Amber Hurdle

"I got out of college in 1997, and TV embraced me very quickly."

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Amber Hurdle

"I'm like a bunch of college guys who got together and said, 'Let's make a dude, a crazy dude'."

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Amber Hurdle

"It's clear enough that there was substantial fraud in Ohio, thus delivering the Electoral College vote for President Bush."

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Amber Hurdle

"We have such a high drop-out rate from musicians, said the head of the college. He was right - I dropped out before I even dropped in. Months later they were still asking what had happened to me, not realising that I was on a UK tour."

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Amber Hurdle

"On the first day of a college you will worry about how will you do inside the college? and at the last day of a college you will wonder what will you do outside the college?"

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Amber Hurdle

"I went to Moorehouse College. There was no track and field there."

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Amber Hurdle

"For me, college wasn't a breeze. I had 8 o'clock classes, I worked from 3 to 11 at the Settlement House. On weekends, if Northwestern Bell needed me, I'd troubleshoot for them, and I had a steady girl. God!"

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Amber Hurdle

"Pre-teens, teens and college students have unlimited access to the Internet - 24 hours a day, seven days a week. Because of the repeated exposure they have to illegal Internet gambling sites, they fall victim by the thousands."

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John Dykstra
"Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and changing the digital image."
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John Dykstra
"Film, as far as I'm concerned, is my area of artistic endeavor, so I never think of a movie that gets released as being all done-it's just when they took it away from you."
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John Dykstra
"As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate."
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John Dykstra
"George Lucas wanted this moving camera for all of the photography in Star Wars. He was willing to take a risk with the concepts that I advanced with regard to ways for doing that."
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John Dykstra
"In the first Spider-Man, at the end of the movie, Peter Parker had to deny himself a relationship with a girl that he's in love with. The very next thing that happens is that he's swinging through the city."
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John Dykstra
"I was involved in the color correction and the digital color correction. In an odd way, you end up making a film many times-the DVD, the archival record of a high-definition master, and so on."
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John Dykstra
"It's an embarrassment of riches because you have directors who don't better. You end up with so much stuff going on the screen that you don't know where to look, and that's what I consider self-indulgent."
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John Dykstra
"You had to make a camera look like it's traveling at 300 mph, but you couldn't make it actually travel at 300 mph so you had to slow everything down and build devices to do that. So you were constantly engineering."
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John Dykstra
"We stayed there 24 hours a day. We lived and ate and slept that movie. We were enthusiastic, not just because of the movie, but because we had such a great collaborative team. We had a really good time. It was very much a family."
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John Dykstra
"Digital imaging has untied our hands with regards to technical limitations. We no longer have to be arbiters of technology; we get to participate in the interpretation of technology into creative content."
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