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James Laughlin

"I think one ages and one dates. I tend to have a good deal of difficulty in liking some of the new poets."

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"I think one ages and one dates. I tend to have a good deal of difficulty in liking some of the new poets."

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Donna Grant

"And she never could remember and ever since that day what Lucy means by a good story is a story which reminds her of the forgotten story in the Magician's Book."

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Personal Development

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Donna Grant

"It is usually unbearably painful to read a book by an author who knows way less than you do, unless the book is a novel."

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Personal Development

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Donna Grant

"Good characters in fiction are the very devil. Not only because most authors have too little material to make them of, but because we as readers have a strong subconscious wish to find them incredible."

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Donna Grant

"I don't know where people got the idea that characters in books are supposed to be likable. Books are not in the business of creating merely likeable characters with whom you can have some simple identification with. Books are in the business of creating great stories that make you're brain go ahhbdgbdmerhbergurhbudgerbudbaaarr."

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Donna Grant

"Which is my favourite author??You have mistake it must be authors I have a lot of favourite authors, which is my book, opps again a mistake, it must be books..."

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Donna Grant

"Tell me of your Willoughbys, Heathcliffs and Wickhams in literature and I will tell you I met them all."

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Donna Grant

"There are books which take rank in our life with parents and lovers and passionate experiences, so medicinal, so stringent, so revolutionary, so authoritative."

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Donna Grant

"I am not sure that the best way to make a boy love the English poets might not be forbid him to read them and then make sure that he had plenty of opportunities to disobey you."

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Donna Grant

"I read to know the past, I write to express my love for the future."

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Donna Grant

"I appreciate a book intended to be judged by its cover. The insincere readers are often weeded out while the sincere readers remain curious."

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James Laughlin
"I think there is a great difference, in that when the poet is reading you get the whole personality of the person, especially if he's a good reader. Whereas a person just sitting gets what he puts into it."

Reading

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James Laughlin
"We do very little re-writing in the office. We often take on people who show great promise and who we hope will develop into somebody important and someone good."

People

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James Laughlin
"Often something comes in from which you can see that the person is good, the book may not be perfect as it is, and the person doesn't want to do a re-write. That's something we do almost nothing of."

Literature

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James Laughlin
"I think most people read and re-read the things that they have liked. That's certainly true in my case. I re-read Pound a great deal, I re-read Williams, I re-read Thomas, I re-read the people whom I cam to love when I was at what you might call a formative stage."

Love

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James Laughlin
"I think one ages and one dates. I tend to have a good deal of difficulty in liking some of the new poets."

Literature

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James Laughlin
"I do read everything that we publish. We usually have to have two or three votes for a book before we take it on. So in that sense I suppose it is an orchestra."

Sense

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James Laughlin
"Then, of course, there are those sad occasions when a poet or a writer has not grown, and one has to let them go because they're just not making headway. But we have a very clear personal relationship with the authors."

Literature

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James Laughlin
"I think that concrete poetry seems to have, as far as I can see, come to a kind of a dead end. It doesn't seem to be going any further than it went in its high period of about five or six years ago."

Poetry

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James Laughlin
"There are numerous cases of that, where one of our writers discovers another writer whom he likes, and we then take that book on. So it's a very close relationship. We can do that because we're so small."

Literature

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James Laughlin
"I try to write in plain brown blocks of American speech but occasionally set in an ancient word or a strange word just to startle the reader a little bit and to break up the monotony of the plain American cadence."

Writing

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