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"In the place where I was a child, there were no artists and there was no art, so I really didn't know what that meant. I think I thought it meant that I would be in a situation different than the one that I was in."
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"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."

"The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time."

"The discipline of creation, be it to paint, compose, write, is an effort towards wholeness."

"Let music ignite your vivid inner colors and bring you harmony inside and out."

"A work of art has no importance whatever to society. It is only important to the individual."

"The effort of art is to keep what is interesting in existence, to recreate it in the eternal."
Explore more quotes by Jasper Johns


"I have no ideas about what the paintings imply about the world. I don't think that's a painter's business. He just paints paintings without a conscious reason."


"I often find that having an idea in my head prevents me from doing something else. Working is therefore a way of getting rid of an idea."


"As one gets older one sees many more paths that could be taken. Artists sense within their own work that kind of swelling of possibilities, which may seem a freedom or a confusion."


"Everyone is of course free to interpret the work in his own way. I think seeing a picture is one thing and interpreting it is another."


"One likes to think that one anticipates changes in the spaces we inhabit, and our ideas about space."


"Intention involves such a small fragment of our consciousness and of our mind and of our life."
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