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"In the place where I was a child, there were no artists and there was no art, so I really didn't know what that meant. I think I thought it meant that I would be in a situation different than the one that I was in."
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"In the place where I was a child, there were no artists and there was no art, so I really didn't know what that meant. I think I thought it meant that I would be in a situation different than the one that I was in."

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21
"I don't know how to organise thoughts. I don't know how to have thoughts."
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"I don't know how to organise thoughts. I don't know how to have thoughts."

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"To be an artist you have to give up everything, including the desire to be a good artist."
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"To be an artist you have to give up everything, including the desire to be a good artist."

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"I have no ideas about what the paintings imply about the world. I don't think that's a painter's business. He just paints paintings without a conscious reason."
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"I have no ideas about what the paintings imply about the world. I don't think that's a painter's business. He just paints paintings without a conscious reason."

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22
"Everyone is of course free to interpret the work in his own way. I think seeing a picture is one thing and interpreting it is another."
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"Everyone is of course free to interpret the work in his own way. I think seeing a picture is one thing and interpreting it is another."

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"I am just trying to find a way to make pictures."
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"I am just trying to find a way to make pictures."

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20
"I tend to like things that already exist."
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"I tend to like things that already exist."

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23
"Intention involves such a small fragment of our consciousness and of our mind and of our life."
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"Intention involves such a small fragment of our consciousness and of our mind and of our life."

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17
"When something is new to us, we treat it as an experience. We feel that our senses are awake and clear. We are alive."
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"When something is new to us, we treat it as an experience. We feel that our senses are awake and clear. We are alive."

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21
"Most of the power of painting comes through the manipulation of space... but I don't understand that."
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"Most of the power of painting comes through the manipulation of space... but I don't understand that."

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19
"I often find that having an idea in my head prevents me from doing something else. Working is therefore a way of getting rid of an idea."
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"I often find that having an idea in my head prevents me from doing something else. Working is therefore a way of getting rid of an idea."

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21
"As one gets older one sees many more paths that could be taken. Artists sense within their own work that kind of swelling of possibilities, which may seem a freedom or a confusion."
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"As one gets older one sees many more paths that could be taken. Artists sense within their own work that kind of swelling of possibilities, which may seem a freedom or a confusion."

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19
"The thing is, if you believe in the unconscious - and I do - there's room for all kinds of possibilities that I don't know how you prove one way or another."
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"The thing is, if you believe in the unconscious - and I do - there's room for all kinds of possibilities that I don't know how you prove one way or another."

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"I think a painting should include more experience than simply intended statement."
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"I think a painting should include more experience than simply intended statement."

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"One likes to think that one anticipates changes in the spaces we inhabit, and our ideas about space."
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"One likes to think that one anticipates changes in the spaces we inhabit, and our ideas about space."

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"One works without thinking how to work."
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"One works without thinking how to work."

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