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Pedro Almodovar

"The 1980s really ended for me in 1992 with the film Kika."

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"The 1980s really ended for me in 1992 with the film Kika."

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Amber Hurdle

"I'm more likely to lose my temper on a film set than almost anywhere. Often the level of idiocy is so exalted that it's impossible to comprehend."

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Amber Hurdle

"Sometimes it's difficult directing yourself on film because you can't quite separate yourself from the subject."

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Amber Hurdle

"There's no point in making a film out of a great book. The book's already great. What's the point?"

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Amber Hurdle

"I also paint, draw and I'm into film and photography as well, and the same thing applies to all of them. You're presenting this material to the general public and hoping that they're going to 'get' what you're doing. Some don't, some do."

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Amber Hurdle

"I can't do a film if I don't start with the writing."

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Amber Hurdle

"If you don't generate tension in the film to begin with... you can't really make a purse out of a sow's ear, you know."

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Amber Hurdle

"In any film there's always a historical implication."

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Amber Hurdle

"I see Igby as my first movie as an adult, and it's a big deal for me because I really, really like the film."

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Amber Hurdle

"I got five kids, and my oldest is a documentary film maker and camera man, and still photographer."

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Amber Hurdle

"Altman works in such an interesting way, letting things occur in the film even if he didn't particularly plan them."

Explore more quotes by Pedro Almodovar

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Pedro Almodovar
"The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images."
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Pedro Almodovar
"I think that the consciousness of passion makes you act very differently."
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Pedro Almodovar
"In fact, it was the women in our house who were in the saddle. If men are the gods, women are not only the presidents but all the ministers of the government."
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Pedro Almodovar
"After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception."
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Pedro Almodovar
"With this silent film, I wanted to hide what was going on in the clinic. I wanted to cover it up in the best cinematic way and in an entertaining manner."
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Pedro Almodovar
"It's a pity that I can never really enjoy my movies because, after the mixing, your capacity as a spectator just disappears. I have to think about what I felt just before the mixing."
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Pedro Almodovar
"Even though I love my mother, I didn't want to make an idealized portrait of her. I'm fascinated more by her defects - they are funnier than her other qualities."
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Pedro Almodovar
"Hospitals are places that you have to stay in for a long time, even if you are a visitor. Time doesn't seem to pass in the same way in hospitals as it does in other places. Time seems to almost not exist in the same way as it does in other places."
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Pedro Almodovar
"I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness."
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Pedro Almodovar
"The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple."
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